some screen finishing, Reivew on Kramer vs. Kramer

The first close-to-panorama crash

This performance is so good, the reverse laugh caused by the male's suppressed emotions

Crisis Up and Resolution

interesting interlude

Warm moments and Crack ambush

Part of Johanna's return Dustin Hoffman is out of focus here; Johanna is out of focus in the last two-person dialogue; the contrast of power embodied in the dialogue is subtle

The severance corresponding to the content of this talk and the promotion corresponding to the content of the opening talk

overwhelmed

That's it Neat script Sooo profound

Child's sitting and position handling

Comparing in the contradictory

The script is well written and neat; the corresponding audio-visual language is concise but very innovative; of course, neatness seems to lack a little sense of disorder in life, but the performance has made up for this confusion. Better than "Marriage Story", although "Marriage Story" is a female perspective and this is a male echo, but it is more comfortable to understand each other and give up;

One scene I didn't like was when Johanna explained it at the elevator entrance. Although this scene was explained and advanced, it was uncomfortable. It was better not to explain or to change the method.

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