Part 1: Mysterious scene
00-1:18 seconds , Floating male upper body, head, starry sky behind, a black closed sphere, monotonous whistling background sound like the sound of wind.
1:18 seconds-2:15 seconds, male upper body and head floated out of the screen, leaving only the starry sky
Unlike the black sphere, the black sphere seems to be the center of the universe, protruding and still, as the background is gradually becoming sharp and harsh like the sound of wind. 2:15—2:45, the camera turns to the ground, like a deep groove, full of rash-like particles , Potholes, and a feeling of dampness.
2:45——2:48, black screen.
2:48——3:06 seconds, still on the ground, as if it is an extension of the previous ground shot, a tin roof appeared on the ground, There is a circular hole on the roof.
3:06—3:29, the camera passes through the hole to show the scene inside the house, first it is dark, and then a man sitting by the window appears. The window glass is broken and the man looks through the window. To the outside, the man was naked to the top, his expression seemed serene, melancholy, and bored, with ulcerated abscesses on his face and upper body. In addition to the continuous sound of the wind, the background sound added a rhythmic thumping sound, like a train. The sound of driving is also like the sound of a ramming machine on a construction site.
3:30—3:39, the camera turns to the upper body of another man, who was floating in the starry sky at the beginning. Lying down, with an inexplicable expression, suit and tie , Dressed formally, with accessories on his left chest, the man opened his mouth, as if frightened.
3:39——3:45, the camera switched to the man sitting by the window, and a complete window pane reflected the man’s face profile , The man’s left hand rubs the bent left knee.
3:45—4:07, the camera switches to the lying man, the man seems to be lying in the water, and there are small bubbles floating around from the man’s mouth. An alien monster like octopus tentacles, with a slightly thick head.
4:07-4:32, the camera turned to the man sitting by the window, the man manually turned his eyes from outside the window to the front of the house. In front of the man, there is a device like a control lever of a machine with three guillotine knives on it. For the same thing, the man's hand pulled a knife-like thing on the far right side, making a click.
4:32-4:38, the camera turns to the lying man, and the alien monster quickly floats out of the screen.
4:38-4:45, the camera turned to the man sitting by the window, he pulled a piece of thing like a knife in the middle, and the knife also made a clicking sound.
4:45-4:51, the camera switches to a scene like a crater. The crater is on the ditch-like potholes. The inside of the crater is very bright and there seems to be magma.
4:51-4:58, the camera switched to the man sitting by the window, he pulled the leftmost knife, and the knife made a clicking sound.
4:58-6:05, the camera switched to the crater, and the alien monster with a slightly thick head like the octopus tentacles floating from the man's mouth flew into the crater, splashing water. It seems that this crater-like thing is not magma but water. The lens advances into the "volcano crater", there are big bubbling bubbles, the alien monster sinks to the bottom, and the black inner wall of the "volcano crater". The lens walks through the darkness, and then returns from the inside up, facing the crater, like looking up from a well. , You can see the circular sky, the lens moves up from the bottom of the crater, and finally a bright white sky-like fills the screen.
Part Two: Henry walks on his way home, back to his residence
6:05-7:22, the camera switches to a man, the man who is lying down. It is daytime. This man is no longer lying down, but standing in front of a door. His body is facing the door and his head is diagonally opposite. Turning to the position facing the camera diagonally, the man turned his head and walked towards the door, and he could see the back of the man, holding something in his right hand. The man walked into the door and came to a yard. There were piles of round soil bags on the ground of the yard. There was a brick wall in front, and there was a window on the right side of the brick wall, and the glass was broken. This wall belongs to the house where the man sitting by the window is, and the scene that the man looks through the window is this studio courtyard. The so-called potholes and undulating ditch-like ground are these soil packs. The man with something in his hand walked on the bag and came down again. He walked through the bag and stepped into a puddle with one foot. If I understand correctly, the puddle that the man stepped into is the "crater" on the ground. The upper interior is unusually bright and full of water. The alien monster falls into it. The camera follows and then returns to the "volcano" where you can see the round white bright sky. It turns out that this is the man who was walking while lying on the starry sky and spit out the alien monster from his mouth. A puddle that was accidentally stepped in. The man pulled out his foot and continued walking.
7:22-8:46, the man walked down the street, crossed a long street with windows and brick walls of an apartment with several floors on one side, and walked into a room similar to a factory building. You can see all kinds of things. Iron rubber pipes and valves, withered grass still growing on the ground, the man walked through the factory building, surrounded by factories, but it seemed that it was night, and the man walked to the bottom of an apartment on the street and went in.
From 8:46 to 11:20, the interior scene on the first floor of the apartment building. There are lamps and sofas on the floor. The man comes in and turns to the left. There is a wooden shelf against the wall, which is divided into many squares, maybe a letter box for letters, but The grid is open. Anyone can flip anything in the grid. The man flips through a grid and walks to the elevator. There are two lights on both sides of the elevator, ring the bell, the elevator opens, and the man enters. Only the man is inside. When the elevator went up, the lights in the elevator flickered. The elevator door opened, and the man walked through the long and narrow corridor to his door and opened the door with the key. At this moment a gentle female voice came from behind him: "Are you Henry?" This is the neighbor opposite Henry, a sexy young woman. Henry answered yes, the woman told him that a girl named Mary called him and asked him to have dinner at Mary's parents' house. Henry thanked him, and then the two closed their doors and entered their respective rooms. The number 26 was engraved on the outside of Henry's door. The opposite was 27.
11:20-15:18. Henry sat in the room holding the bag in his hand and turned on the light. , Go in, turn on the lights again, there is a table and two chairs against the wall, Henry flicks the magnetic brush on the phonograph to play music. It sounds old-fashioned to me. There is a big bed in the room. A large cabinet with drawers was placed against the wall on the left. On the right side of the bed was a window, and under the window was a radiator. There was hay on the top of the cabinet and under the radiator. Henry sat on the bed with slippers, took off his socks, and threw the socks on the radiator. , Staring at the radiator, the radiator is steaming, and then staring down at the hay, staring at the pipe connection at the bottom left of the radiator. There are some hay scattered on the pipe, the background sound becomes sharp and harsh, and then look out through the window, Outside is a wall. Henry turned around and walked to the cabinet and opened a drawer. There was a pot or basin filled with water. Something fell into the water and made a soft sound. Henry took out a piece from the drawer. The two halves of the photo are of a girl with the head and body separated. Henry squeezed the two halves together and looked at the photo. The ticking of clocks in the room.
Part Three: Dinner at Mary's house
15:18-15:36, the camera is switched, the background sound is bursting, continuous, harsh, a door with a window, from the window you can see a girl standing inside the door with her head exposed , The girl on Henry's photo. The girl looked out the window, as if waiting for Henry again.
15:36-16:27, Henry walked through the street in the night, empty-handed. There is music in the background, a soft symphony. The sound of dogs barking, glass or porcelain cracking was heard in the distance. Henry looked back as if frightened, and then moved on.
16:27—16:49, the barbed wire on the window, a large swath of steam, the sound of steam surging, a closed door in front of it, and the ground is messy, Henry came here. With the ejection of steam, there are larger debris flying in the air.
16:49—18:13, the camera switched to Mary, she was still behind the door, behind the closed door in the last shot, it turned out that Henry had arrived at the door of Mary’s house, in the courtyard of Mary’s house, Mary was across the door. Henry said he was late, and there was a flower planted on Henry's left, like a rose. Henry said he didn't know if Mary wanted him to come, and asked where Mary had gone, and blamed Mary for not showing up anymore. Mary opened the door and walked out. She told Henry that dinner was almost ready, as if she used kindness to apologize for her goodbye without saying goodbye. The number on one door frame: 2146. Two people entered the door.
18:13-20:21, the room scene, table lamp, sofa, a woman about 40 years old is sitting in an armchair, Mary and Henry come in, there is chirping in the background, like rubbing rubber, middle-aged The woman greeted Henry, and the two exchanged greetings. Mary and Henry were sitting on the sofa, and then they saw a bitch and a group of puppies on the floor. The chirping sound was that the puppies were feeding. The middle-aged woman talked to Henry, and Henry's left hand stroked the gap between the back of the sofa and the side armrests. The woman asked Henry what he was doing. Henry said that she was on vacation. The woman asked what she had done before. Henry apologized and said that she was a printer. At this time, Mary, who was sitting on the side of the sofa, was hysterical and made an ahhhh sound in her mouth. , Her face was stiff, the woman apologized and kneaded the back of Mary’s neck and shook Mary’s right arm. Henry looked indifferent. She continued to say that she worked in Lapel’s factory and was a printer. Mary suddenly returned to normal and said Henry She was a very clever printer. The woman said that Henry sounded very clever, and Henry's hand had been stroking the cracks.
From 20:21 to 21:14, a door in the room creaked. Behind the dining table, a man of about 50 years old pushed the door and put his hands on the dining table. He said that he heard a stranger come in, as if he didn't know Henry. It was as if he was about to visit, and then he made a great opinion, saying that eating chicken tonight, the chicken is artificial, smaller than his fist, but fresh. Then he raised his right hand and greeted Henry from a distance, saying that I was Bill. Henry stood up from the sofa and bowed his body in response, hello, this is Henry. Henry's hands did not leave the sofa, but lightly pressed the front edge of the sofa. Bill went on to say, are you a printer? I'm a plumber. For thirty years, I have seen this former ranch become the hell it is now. He said that he had installed all the lead pipes in the nearby suburbs with a strong tone. The woman and Mary stopped him from continuing at the same time, but Bill continued. The people thought that the lead pipes would grow at home, but he knew they would not. He walked over from behind the dining table, hunched over the knees of his pants, and said to see. Looking at his knees, the middle-aged woman greeted him and drove him back. Bill was still saying are you hungry, Henry, and then the middle-aged woman and Bill went out through the door together. The dog was barking and the door creaked.
21:14-21:24, the scene of the kitchen, you can see the cabinets, the washing machine (maybe the oven, but later found to be the stove) there is a black pan, curtains, a small door, etc., an old woman About sixty years old, sitting on a chair, a middle-aged woman is mixing salad, violently tore the vegetable leaves into the basin, making a kaka rubbing sound.
21:24-21:28, the camera switches to the living room, Henry and Mary are sitting on the sofa, the puppy is still feeding, Henry taps the sofa with both hands. The two did not speak, Mary was a little sad, and Henry was a little disturbed.
21:28-23:14, the camera switches to the kitchen, Bill is busy roasting chicken, smearing something on the body, the middle-aged woman mixes salad, the old woman sits stiffly on the chair, the middle-aged woman mixes the salad The pot was placed on the lap of the old woman, grabbed the old woman’s hand and let the old woman’s hand hold the chopsticks, and then shook the old woman’s hand for a few times. The old woman’s eyes blinked a few times and her face was expressionless. The middle-aged woman moved the vegetable bowl from the old woman’s lap to the sink on the cupboard, and then put a cigarette into the old woman’s mouth. , The old woman smoked, still expressionless, Bill took the roasted chicken out of the oven, walked out, and turned off the light.
40. The wall clock on the wall has only one pointer and the arrow points to 8. With a sound, a bird drilled out of the two small doors at the top of the wall clock and tweeted. Bill, Henry, a middle-aged woman. Mary was sitting at the dining table. Bill spoke and said to Henry that they (referring to the two ladies at the dining table) knew that his left arm was injured. The doctor said he could not move, but he (referring to Bill) Massage every day for half an hour. Now I am slightly able to move and will recover in the future, but I still don't feel it, no feeling at all. As Bill said, he patted his left arm vigorously with his right hand. Billby made a gesture and said that he could not cut the chicken. It was originally Mary who cut it, but today he wanted Henry to cut it and put a chicken on Henry's dinner plate and asked Henry if he could. Henry looked at the two ladies, then at Bill, and agreed. Henry consulted Bill and asked whether he should follow the usual cut, and Bill said yes. Henry took the fork and held down the chicken and was about to cut it. The chicken was small and lying flat on the dinner plate. Henry hadn't started to cut. Suddenly a red viscous liquid, like jam or blood, came out of the chicken’s anus. Henry’s legs swayed rhythmically in the air, making sounds like mechanical gears rubbing. Henry was surprised. He looked at Bill and then at the two ladies. The middle-aged woman was hysterical and stared at the chicken with her mouth. There was a slight ah, ah, and Mary looked at Henry with a sad look. The middle-aged woman turned her eyes up, and her body slowly stiffened. She looked up and stretched her tongue. Like Mary's hysteria. Mary looked at the middle-aged woman, Henry also looked at the middle-aged woman in disgust, the chicken's legs were still swinging, and the sound of gears accompanied the middle-aged woman's ahhh. In a close-up, a bubble is emerging from the chicken's anus, like shit or childbirth. The bubble is broken, and the liquid inside spouts out, and there are continuous bubbles. The middle-aged woman's voice grew louder, her facial expression was painful, Mary looked sad, and finally the middle-aged woman got up from the chair and pushed the door out, like vomiting in the kitchen, with an uncomfortable moan in her mouth. Mary stood up and walked quickly to the kitchen, leaving only two men sitting. Bill looked forward blankly. Regardless, Henry was a bit at a loss. He looked left and right, sighed, and put the knife and fork down. No more cutting chicken. Suddenly, Bill turned to Henry, spoke to Henry, and asked Henry what he knew. Henry didn't know how to answer, saying he didn't know much. Waiting for Bill to answer, Bill just stared at Henry blankly, with a kind smile on his face, but he didn't speak. The middle-aged woman opened the door and came in. She was back to normal. She leaned on the back of the chair and said to Henry solemnly that she wanted to talk to him, let him follow, and then left. Henry looked at the middle-aged woman, Mary cried and pushed the door halfway in. Body, Henry looked at Mary. Mary was crying, but Bill was still smiling. Henry got up and left.
From 27:40 to 30:08, the light in the living room turned on, flickered, and went out again. Henry stood in the small aisle between the dining room and the living room. The middle-aged woman came over, grabbed Henry's shoulder with her right hand, and asked Henry: Have you ever slept with Mary? Henry was surprised. He bowed his head and said nothing, a little flustered. Henry seemed to be talking to himself, and he seemed to complain to the middle-aged woman, asking why. The middle-aged woman kept chasing her and asked if she had ever been. Henry asked the middle-aged woman bitterly: Why did you ask me this question. Middle-aged women are pressing harder: I naturally have my reasons, but I want you to tell me now. Henry stammered and answered the wrong question: I love Mary very much. Middle-aged women don’t eat this set: Henry, I asked if you and Mary had sex. Henry defended: I think it has nothing to do with you. The middle-aged woman's words contain condemnation: Henry! Henry was forced to be close to the wall, bowed his head and said: I'm sorry. Middle-aged women threaten: Henry, if you don’t cooperate, you will be in big trouble. Then the middle-aged woman stuck it up and kissed Henry on the neck. Henry looked surprised and yelled: Mary. Mary ran over and pulled the middle-aged woman away, crying and saying: Mom. The middle-aged woman seemed to suddenly realize her gaffe, but she still sternly said to Henry: Answer me. Henry bowed his head and twisted: I am embarrassed. The middle-aged woman suddenly said: There is a child in the hospital. Mary cried: Mom. The mother went on to say: And you are the father. Henry was surprised and innocent: this is impossible. Mary cried and interjected: It is still unsure if it is a baby. The mother retorted Mary: It was a premature baby, but it was definitely a baby. Mom said to Henry: After you get married—getting married should be fast, you can take the child away. There was a lot of blood in Henry's right nostril. Henry looked at the blood on his hand in a panic, took out his handkerchief and wiped it. Mom looked at Henry's profile and neck, as if looking at the chicken, with his mouth slightly open, as if greedy. Mary said: His nose is bleeding. Mother still looked at Henry, and after a while she answered, and slowly backed away, saying: I'm going to get ice cubes. Turned and left. Mary is crying. A lead pipe bent at 90 degrees frames Mary like a mirror frame, and you can see a large cluster of flowers on a table at the back of Mary's right. Mary cried and said: Henry, do you mind if you want to marry me? Henry pinched his nose with a pained expression, and said softly and affectionately: I don't mind. Mary is still crying.
30:08-30:23, Mary's mother, with a slight anxiety on her face, walked through the living room to prepare to the kitchen. Bill, who had been sitting in the same place, took the passing mother and said calmly: The food is cold. Mom glared at Bill and kicked open the door to the kitchen.
30:23-30:32, in the kitchen, the old woman is still sitting stiffly on the chair with the extinguished cigarette in her mouth. Mary's mother walked through the kitchen and opened the door at the end of the kitchen. The old woman was asleep with a grunt in her mouth.
30:32-30:56, the camera is switched, and Henry uses his nose to reveal a pair of eyes, melancholy and thoughtful, there is a groaning sound, it is the bitch looking at Henry with a sympathetic whimper Henry turned his head to look at the bitch. The long man next to the bitch opened with hay in the wooden shoe cabinet, the camera shook, turned to the armchair, curtains, the background sound like the wind roared, the camera went through the blinds, and it was dark.
Part 4: Mary and Henry’s living together
30:56—31:46. During the day, in Henry’s room, Mary was sitting on a chair. The baby’s headrest was covered with gauze and covered with white pillows and lying on the table. There was another on the table. A small food basket (with a large piece of dry bread in it) and a black bowl, and a glass cup near Mary. The baby's head is like a monster, without hair, with a protruding mouth and eyes on both sides of the head, like a hairless little lamb. The baby is making a naive ahhhh, and Mary is feeding the baby with a spoon. Behind Mary is a wall, a small wooden stool, and a window and a radiator on the left. With the sound of jazz music, Mary scooped something out of the glass with a spoon and stretched it towards the baby's mouth. The baby's head shook slightly and Mary couldn't feed it. Mary held the baby's face and fixed it with her hand. The baby struggled. Mary took the spoon. The sound of being pushed into a baby's mouth and forced to swallow. The baby pouted, shook his head, stuck out his tongue, spit out some crumbs, terrible deformity, and parallel vertical stripes on the pillow.
From 31:46 to 32:01, in front of the elevator door in the lobby of the apartment, Henry rang the bell, the elevator door opened, and Henry entered.
32:01-32:33, Henry's room, Mary continues to take care of the baby. Mary was frantic and a little sad. The baby's eyes began to be dull, and then her eyes slid slyly in her eye sockets, making a naive but sly voice. Impatient, Mary stood up, threw the spoon into the glass, got up and sat on the small stool, keeping a distance from the baby, looking at the baby angrily, saying that her hands were crossed, which seemed to be painful and tangled.
From 32:33 to 32:50, the camera switches to the lobby on the first floor of the apartment. You can see sofas, desk lamps, flowers, elevator doors and the lights on both sides of the elevator doors, repeating the continuous fold line pattern on the floor, and the left side of the elevator door. There is still something standing on the floor (covering the bottom of the disc, above the bottom of the disc is a thin cylindrical pole, on the head of the rod is a disc that lays down flat on the bottom), the elevator door opened, and Henry came out of the elevator again. In the lobby on the first floor, he came to the wooden shelf where he was looking for something last time and looked for something. From one of the squares, he found a cube box less than the size of a thumb and pinched it between his fingers.
From 32:50 to 33:40, Henry walked to the street. There was a wall on the side of the street. Henry stopped in front of a door, took out the small box, opened it, and took out a long and thin curved dry bus curled up like a maggot. There are a few pens in the left breast pocket of Henry's suit. Henry pinched one end of the bug with his fingers and looked at the bug. It looked like the bug had a broken ring in half. Henry glanced in the distance and put the bug back into the box.
From 33:40 to 34:03, the camera switched to Henry's room. Mary was still sitting on a small stool with her arms folded and looking at the child on the table. There was a vague sound of thunder in the distance. Mary twisted her body unnaturally and got up and walked towards the child.
From 34:03 to 35:44, Henry returned to the door of his residence and opened the door to enter. You can see the floor lamp, the phonograph is placed on the small radiator, the cabinet with drawers and the hay on the cabinet, Henry walks rickety, Walking in the narrow passage between the cabinet and the bed, there is a bedside table on the side of the bedside close to the cabinet. On the bedside table is a small dry tree with a few branches and branches. The small tree is planted in a small mound like the head of the grave. Here, there are no flower pots, and the bare mound with such a dead tree is just placed on the bedside table covered with white lace tablecloths. Henry lay on the bed, his head facing the radiator under the window, his feet facing the large cabinet, crossing the bed, his head and feet protruding from the left and right sides of the bed, grabbed the edge of the bed, and looked at the ground below. Mary sat on the chair by the table to take care of the baby. The baby's mouth made a clicking sound, which alarmed Henry. Henry raised his eyes and looked at the baby. The baby had a long tongue. Mary took care of him. Henry showed a happy smile again. Get down. Looking at the ground, the hay, the radiator, the background sound becomes sharp, and the atmosphere is tense, as if a climax is coming. Henry looked at the radiator, through the gap of the radiator, there seemed to be a window opened on the wall behind the radiator, and Henry saw one through this illusory window (maybe the window was actually opened on the wall) On the stage, a curved curtain is rolled up above the stage. The curtain is divided into left, middle and right parts. The middle part hangs down. The left and right curtains are sandwiched by gravity and full of folds. There is a circular aperture in the center of the stage, horizontal and vertical lines crossing vertically on the floor of the stage, and a few lights on the arc at the front of the stage. As if light from the air illuminates the aperture, dust and mist dance in the vertical beam of light.
35:44-36:14, the camera switched to Henry's room, facing the radiator and the window behind the radiator, the window showed bright light and then went out. The baby was crying, Mary asked: Is there any mail? Henry looked at Mary and said: No.
36:14—36:31, the lens switched to the window above the radiator, and the wall outside the window was illuminated by an elliptical light spot from an unknown light source. The light spot slowly disappeared, and there was darkness outside the window.
36:31—36:39, the camera turns to the deformed baby, the baby is lying on his back, his face is sticky, his eyes are dull, and his monotonous cry is like the bleating of a lamb. Ugly and innocent.
36:39—38:50, the camera is switched, it is Henry’s room, with two pillows on the bed, Henry is sitting on the edge of the bed (the side against the cabinet), Mary is lying on the bed, on the side by the window, side Lie back to Henry. (You can see that there is a smaller cabinet next to the large cabinet. The upper layer of the small cabinet is not with drawers but with a side door. Maybe this is not a separate cabinet but a part of the large cabinet.) Mary opened her eyes and Henry got out of his pocket. He took out the small box, opened it, and took out the bug. The bug trembled. Henry stood up, first walked to the big cabinet, opened the door of the cabinet (maybe there are drawers on the top of the big cabinet, and doors underneath), and then turned to the small cabinet , Opened the two small doors facing each other, put the bugs inside, placed it on the wooden bottom plate of the upper layer of the small cabinet, and then closed the cabinet door. Turning to look at Mary, she undressed and was ready to go to bed. The camera turns to the baby on the table, then back again. Henry lay on his side on the bed, facing Mary's back, with a strange expression on his face, as if he was fantasizing about something. Henry stretched his hand to Mary and stroked Mary's shoulder through the quilt. Mary shook her body and Henry retracted her hand. Henry's expression still seemed to be immersed in a slight fantasy, but the fantasy was fading, and his eyes began to show melancholy. Seeing Mary lying on her side from behind, her hair is like a pile of hay. Henry closed his eyes and seemed to fall asleep.
38:50—42:50, the camera turned to the window above the radiator. A small area on the wall outside the window was illuminated by light and slowly became dark. The baby was crying, but Mary remained awake with her eyes open. Mary blinked, her body on her side heaving slightly with breathing. Mary raised her head, the baby was still crying. Mary sat up suddenly and shouted at the baby: Shut up. Henry was awakened, his eyes widened with a surprised expression. Mary got out of bed, walked quickly to the baby, bowed her head and shouted at the baby: Shut up. The baby was frightened, Mary walked back and lay on the bed. Henry had also lay down again, and seemed to turn over to lie flat, his mouth moved, brewing emotions so that he could sleep more soundly. The baby started crying again. Mary closed her eyes and opened her mouth and wept silently, her body undulating severely. Mary got out of bed again, turned on the light, Henry was awakened again, sleepy-eyed, and went back to sleep. Mary opened the bathroom door, went in, then slammed the door and walked out into the bedroom. At this moment, she was wearing a skirt. Henry was awakened again, and her upper body was lying half-lying. Mary said angrily: I can't stand it anymore, I want to go home. Henry asked in disbelief: What are you talking about. Mary exploded in anger: I couldn't even sleep, I was going crazy. You are on vacation, you can take care of it all night. Henry seemed to wake up completely at this time and asked hurriedly: Will you be back tomorrow? Mary put on her coat, crying and spread her hands helplessly: I just want a good night's sleep. Then he picked up the bag that was placed on the table and was about to pull the door out. Henry looked angrily: You might as well just stay at home and don't move in. Lie down again, full of anger, head to one side. Mary turned her head and shouted at Henry: I know what I should do. After I leave, you'd better take care of that thing. Henry turned his head to look at Mary, holding his hands near the quilt. Mary walked back from the door, came to the end of the bed, squatted down, grabbed the railing at the end of the bed with her left hand, and pulled her right into the bottom of the bed with her right hand. Watching Henry, the bed made a crunching sound and began to shake, much like the bed's reaction during sex. . Henry was lying halfway, not knowing what Mary was doing. Mary's expression was sad and anguished. After pulling for a while, he pulled a suitcase from the bottom of the bed, cried and opened the door and left. You can see an arched niche on the wall outside the door with a bunch of flowers inside. Henry looked aggrieved and innocent, and lay down again. In the corridor outside Henry's apartment, the sexy woman who lived opposite came over. The screen goes blank for 3 seconds.
Part 5: Henry and the baby
42:53-45:30, the camera switched to Henry's room, still at night. Henry was lying on the bed alone, thunder was heard outside, the rain was heavy, and the baby lay quietly, no longer crying, but his face was swollen and lacking energy, as if he was sick. Henry got up from the bed, put on his clothes, took out the thermometer from the big cabinet, and put it into the baby's mouth. The baby was powerless to resist. Henry took out the thermometer, turned on the light, and looked at the thermometer's reading in the bright light. It showed 86 degrees Fahrenheit (30 degrees Celsius). There was no major abnormality in the baby at this time. Henry pondered for a while, seeming to be confused, and then walked towards the bed. , Looked back at the baby. At this time, the baby's face was not covered with a dot-like rice-sized rash, his eyes and tongue were ulcerated, his eyes turned gray, and he was dying. Henry sat on the bed and said: You are sick. Then walked over to observe the baby.
45:30-46:46, Henry's room, the next day during the day. The baby is still lying on the table and the symptoms have not disappeared. There is a humidifier-like container next to it. The container is filled with boiling liquid, and hot air is sprayed from the mouth of the lid. It may be used for disinfection, in order to treat the baby. . The baby fell into a deep sleep and seemed to be no longer in pain. Henry sat in a chair beside him, wearing a white shirt and tie. The floor lamp was still on, and the jacket hung on the shelf next to the lamp. The rain has stopped, and there is a whirring wind outside. Henry raised his head and looked out the window. The window seemed to be covered with water vapor, and the brick wall was still outside the window. Henry got up from the chair, walked to the cabinet with the bug beside the bed, opened the door of the cabinet, the bug was still in the cupboard. Henry closed the cabinet door, his shirt bulging on his back touched the dead tree on the bedside table, and the branches trembled.
46:46—46:50, the camera switches to the wooden cabinet with many squares where letters are placed in the lobby on the first floor of the apartment. The grid with Henry's name tag is empty.
46:50—48:41, the camera cuts back to Henry’s room, Henry put on a suit and walked towards the door, took a look at the baby, opened the door and prepared to go out, the baby who had been quiet suddenly started crying (normal baby crying , Instead of the previous bleating sound, the same below), Henry closed the door and hurried back to walk to the baby, stroked the baby's forehead with his left hand, to see what was wrong with the baby, touched the sterilized container with his right hand, and the baby's cry was quiet. Henry left the baby and opened the door again to get out. The baby started crying loudly again. Henry had to close the door again and look back. The baby stopped crying. Henry crossed his hands on the chair, looked at the baby, shrugged and shook his head, giving up his plan to go out. The baby's symptoms have not subsided. He breathed out, moved his head from time to time, and the wind was still blowing outside. Henry looked around.
48:41—48:46, the liquid in the container gurgled and rolled.
48:46—48:49, there is a protruding rash around the baby's mouth, a non-smooth sarcoid mass, and skin breakage. Through the open mouth, you can see the bumpy tongue and the deep part of the mouth filled with white spots (reminiscent of Freud's analysis of the dream of the Imma injection.) The baby's head is light. Shaking, tongue twisting, snoring slightly.
48:49-48:57, Henry walked to the floor lamp and turned it off.
48:57-49:00, it seems to be the scene of the baby's internal organs, folds, depressions, slimy visceral epidermis, and the sliding of spherical protrusions under the skin.
From 49:00 to 49:04, Henry lay quietly on the bed, blinking.
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