The director gave up the sci-fi and Hollywood-style narrative template of the story, and has a standard soundtrack with British college-style empty shots. He only wants to create a hopeless and gloomy world, so this is not a dystopian clone. Hard sci-fi but a This is a story about friendship, love and death. In this world, the fate of clones is written. They can only live according to the established route. They leave school at the age of eighteen and start "donating" organs. For them, leaving school is basically the same as leaving life skills. In the future they only exist as puppets. There will be no more schools like xxxx trying to enlighten and prove their souls. Humans don't care and don't want to understand. The maximum resistance they can do is to stubbornly believe in the existence of the moratorium and make it up A theory to fit the illusion from the start I knew he couldn't be true but tommy believed it and kept working on it and he raised hopes and shattered it so quickly and brutally "we made this to prove u have soul and thats all understand?" tommy understood but he didn't accept the reality until kathy told the truth and the lady said to kathy when she sent them away "you poor little creature i wish i can do something for you"creature This word is even more ironic that the only human warmth in this ruthless world is also from the perspective of the creator. The empty shots in the film always seem so inadvertent and hopeless. The world is so big that they can't escape this strong fate tommy. The car yelled furiously again. Unlike the first time, he didn't miss kathy, but hugged her tightly. They embraced and wept and mourned for a love so short and twenty-eight years late. Humans always have emotions like exclusivity they create artificial intelligence who see themselves as creators and build a world that is not loveless but ruthless kathy's monologue at the end of the credits "what I'm not sure about is whether our lives with those who are gifted are not Different? Life is so short, don’t many people feel that life is not enough.” I have seen many movies in which it is difficult for androids to escape the tragedy written by their fate, all trends tend to be reasonable but so touching and colorful life But just like catkins floatingIn the end, they often deconstruct themselves. I have no hope for kathy's fate without reading the original book. The final monologue is undoubtedly a blow to the head. No one can escape his fate. Such a heavy and desperate emotion is directed by the director. It was handled in a casual way, but it was even more difficult to dissolve the scene where they looked at each other at the end. I want to use a lot of space to describe the impact this scene brought to me, but it’s like being stuck in my throat and dare not speak aloud. Such a real emotion can’t be summed up in words. Sadness, helplessness, and pain are all contained in the corners of the mouth that are touching Childhood and love, struggles and pains will be dissolved, even if all the sorrows are foreseen, you can only move on, at least once there were shining days, the sincere emotions of childhood, the sex desire of adolescence, or the so-called The deferment period even if it's all useless work Yeah it's all useless work The field at the end of the credits where kathy stands The blank footage swept to the railing only reminds me of Wise's paintings and was stuck with a few of Andrew Wise's paintings a while back Looking back and forth, what came to my mind was "Drinking Horses in the Great Wall Caves" "The dry mulberry knows the wind and the sea knows the cold." I only remembered the last two sentences, but now I repeat it over and over again, "The sea knows the weather" Yes, how could it be? I don't know the sea
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