An ordinary story, even a bit absurd, relies on ingenious narration and shooting techniques. I admit that I am a person who is easily moved by details. The reason I liked this film at first was to see the protagonist hiding behind the door and quietly observing the woman who ran out of the opposite room in the cold wind, waiting for her to knock on the door anxiously. Then he opened the door as if nothing had happened, quietly refused, but gave the woman his scarf to keep her warm. I knew from the beginning that directors are very good at dealing with the complex inner activities and subtle relationships of characters.
Lars is actually an immature child in his heart. His mother's death in dystocia caused him a psychological shadow from birth. He longed for love and was afraid of being rejected, so he would rather be alone than give others the chance to reject him. He is always waiting for others to beg him to get along with him. Like every child who hasn't grown up, I always hope that others will revolve around me, but I don't say it.
'REAL GIRL' Bianca gave him all the fantasies he wanted, but couldn't give him the warmth of a real human being. When people "think" Bianca is a real person because of Lars, I think heaven is probably so harmonious.
Of course I have to say that the people in this town are good people - at least that's how the writers designed it. This is probably the biggest bug in the movie. Well, whether it's really illogical or not, the director just has the ability to make you immerse yourself in it, and make you feel that the world is very beautiful after watching it.
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