watching "The House of Unma", the audience often has different opinions. Most people focus on multiple personalities, but if you are limited to this, it seems that it is not enough to describe the full intention of Jin Min. In fact The "Double Bind" in the film has already shaken out another idea that the director wanted to express: double bondage. The so-called double bondage itself is a manifestation of contradictions. Under restraint, words and deeds can be inconsistent, such as extremely angry, but smiling on the face, or as if obviously not paying attention, but behaving very positively. This will make the audience confused and confused, and this is exactly what The direct experience of "The House of Unma" brings us. If you watch this film from a different point of view, you will get different results, but you are often trapped in entanglement and contradiction. I tried to look at it from two different perspectives. Watching this film: The
first point of view, the key is to make a negative judgment on the scene that took place at 1 hour and 20 seconds. If this judgment is made, it will be true when the film is rolled back to the shooting set. Before the film is rolled back, All the conversations between "Ochiai Hyeri" and others in the monitoring room were Mi Ma’s illusions. It was Mi Ma’s double bondage phenomenon during the acting process. While thinking wildly, he was acting seriously (because she has always positioned herself Is it an actor or an idol singer? The first result is that the foggy assistant Hidaka Liumi has schizophrenia. She created and maintained it on the Internet (maybe staying up late, which can be seen from her yawning every day. ) Wei Ma’s department house website released news in the name of Wei Ma, and at the same time, he mentally controlled Wei Ma’s admirer Me-mania (the security of the Performing Arts Division) as a helper, killing the screenwriter, the photographer, and finally the performing arts company. The boss and Me-mania, a "useless dependent person", failed in the final killing and went to a mental hospital. But there is a question. How did the boss of the performing arts company and Me-mania die together, because it is hard to imagine that Liu Mei has enough time to deal with the two corpses while receiving the numbness to his home. Of course, you can also look at all of this. Cheng did it after Wei Ma fell asleep and stayed in the United States.
From the second angle, the three characters of Mist Gone, Hidaka Remi, and Me-mania should be one person, that is, Yoko Takakura. The key to this angle is to make the scenes that take place when the film goes on for 1 hour and 20 seconds. With affirmative judgment, "Ochiai Hyeri" (which may not be the name here) asks you soberly? Can you say your name? The answer I got was "I am the more foggy we are". If this is a filming, the director should call CUT, because the film has already stated that her role is Takakura Rika, the younger sister of Yoko Takakura, but there is no wrong role name in the film. The director's name is CUT, and the next question is "Really?" "What kind of work?" The answer is "Idol singer... No" "Is an actor," and "Ochiai Hyeri" followed by saying "It's really a fortunate job." !" After the scene cut to the monitoring room, two men appeared, "Double Bind" actor said, "She completely thinks that she is a new actor, the more mist is not there," "Ochiai Hyeri" returned to the monitoring room and said "Separation of identity barrier," "It means multiple personalities," "All the cases were committed when she became another personality," another man asked, "Where is Yoko's personality?" "Ochiai Hyeri" answered: "The original personality of Yoko Takakura is just a figure in the drama for her." Although the scene rewind soon appeared, it is impossible to appear in the film production scene. Rewinding.
Taking these as the central consideration, the result we got is that Yoko Takakura imagined that the mister the actress is less numb, and at the same time imagined that the mister the mister the less numb he is participating in a movie called "Double Bind", in this fantasy In the movie she created for herself is a model Takakura Rika, the younger sister of Yoko Takakura (Yoko Takakura was originally a real person), so how did this Takakura Yoko’s mental problem arise? "Ochiai Hyeri" said, "I used to be an ordinary woman," "When she was raped in a strip club, she treated these things as if they happened in the scene, so she could get liberation." So
everything is logical, everything. Singer, actor, agent, director, filming and even the whole world are all this Takakura Yoko’s fantasy, including visiting the United States in a mental hospital.
In other words, the scene when the film progressed to 1 hour and 20 seconds gave us a double bondage, and the two derived results (of course there are other, but absolutely contradictory subversive conclusions can be divided into two) each involve When it comes to multi-personality, it's just that the subject of the multi-personality is different. There are many hints about three and two in the film, including the three-person masked team, three commentary men, the three-person CHAM combination, and there are only three books left at the beginning, maybe Alluding to Takakura Yoko’s spiritual trinity, triple division, the remaining two live fish in the glass tank, the two-person CHAM combination after Wei Ma’s withdrawal, and the name of the movie seems to imply the dual personality of Liu Mei and the double bondage of Wei Ma ( I don't want to do it, but I do it).
So my opinion is like this. Through contradictory hints and details, the whole film is in an open structure, so that the audience is double bound, that is, all parts of the film from the beginning, the process, and the end are open, and the audience can learn from You can freely choose the cues and details in the film from your own perspective and combine them to get different results. As far as the protagonist is concerned, it is either Takakura Yoko or the less foggy it is.
This film is equivalent to allowing the audience to truly experience a double bondage theory during the viewing process.
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