First of all, let's talk about the few remaining advantages. First of all, the King Arthur story uses the protagonist who draws the sword and the knight of the round table, which I quite like, and the special effects. But it turns out that only good special effects are not enough, more and more mentally retarded bugs, a whole lot of stories, inexplicable girl characters pulling the rhythm even if the big scenes are still drowsy one by one. There are very few Autobot scenes I want to see, Optimus Prime has no role in the Bumblebee audience, and the background board has no bright spots. Only Hopkins' two old Autobots, Hot Rod, have bright spots. Smile awkwardly. And this can be attributed to the director's skill explosion. Bei Zhen can't tell the story except for the explosion. It's not good at telling the characters and it's not good. Obviously, you can use a little girl to build a connection with the Autobots, but it's embarrassing to have to continue the previous one. The relationship between the male protagonist and Bumblebee (the chemical reaction is not as good as the first three male protagonists) Optimus Prime and Megatron were once brothers and parted ways for different beliefs. This pair can be fully discussed and even extended. It is comparable to the love and killing relationship between Magneto and Professor X, Dumbledore and Grindelwald. However, Exploding Bay only made Megatron into a masked villain, Optimus Prime, and the blackening of the scene was just as funny as it did not enrich the character at all. The depth finally became the leader of the high-level Optimus Prime. Nothing else. The reputation of this series has been bad since then. It's entirely the director's fault. You can't discuss the first and second parts without discussing so many later ones?
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