A very standard American-style theme movie. The theme, deconstruction, character design, and lines are all pipeline-style products. If you have a certain movie viewing experience, you will feel like you are chewing.
The movie started to have too many characters and lacked introduction to the characters. It is too slow to enter the main line, the linkage of the two story lines is too late, and the director can't chew too much. The characters are simple, especially the heroine, with insufficient motivation and sudden change; Nixon became the villain, which is the US version of the counter-offensive; in pursuit of political correctness, the ending was too deliberate.
The theme is indeed grand. If there is no epidemic, it is an excellent American theme movie. But today the epidemic in the United States has exceeded one million, and no reporters or insiders have tried to change the country under the drive of conscience. Either the United States is degenerate and can no longer tolerate the voice of reason; or the film is based on consequences. The so-called exposure and laws are actually the result of upper-level wrestling. The film is simply a product of brainwashing, a product of paralysis of the American people and cultural invasion. .
Soft power without actual action is a castle in the air. The lighthouse image, which was finally established, fell apart in a few years.
Oh, no, doesn't the United States have an aircraft carrier captain Crozier this time? As long as Hollywood swipes the pen, and it is an American theme theme, all the pots belong to politicians. As long as enough immigrants are attracted, people who died due to the epidemic, who cares?
I look forward to seeing this movie one day.
Additional payment: Will someone take pictures of "Prism Gate"?
View more about The Post reviews
