Probably the worst time travel work I have ever seen

Romaine 2022-01-02 08:02:04

I watched Hosoda Mamoru's Yuxue before, and fell in love with the director, so I took a look at it. In fact, I knew this work a long time ago, but I haven't watched it.

I don't like to point fingers at the loopholes in the setting, after all, the so-called rigorous SG has countless unclear explanations. Time travel, just watch a plot.

The problem is that when there is a problem with the core part of the work, you obviously cannot ignore it.

First of all, Qian Zhao's confession is just funny. From the beginning, he planned to see the painting and then return to the future, but he still confessed to Zhenqin? Is it because you know you will be rejected so you want to give up your heart? Although such a situation is not uncommon, it doesn't look like it here. How to look at it, Qian Zhao is a scumbag. According to his script, he will disappear after confession, isn't it?

Unless Qian Zhao stayed after he confessed, but I didn't see in the movie what he meant to stay, not at all, only an inexplicable obsession with the painting. Those "I like this era", but I only said it when I found that I couldn't go back, and completely gave up my mind.

Secondly, it is the so-called setting of "the people of the past cannot be allowed to discover that they are time travellers". This setting is very common, and it stands to reason that there is nothing to complain about. However, what is going on when the game disappears when you find that you can't go back? Please, Ming Ming Zhenqin already knows, so it makes sense to leave, she doesn't know? What's more, I think the most funny thing is that as long as you stayed, wouldn't you be an ordinary person? I don’t have the ability to jump and can be with Makoto. Why not stay?

Finally, I vomit about the IQ of the heroine Makoto. This is not to talk about abuse of ability, it is estimated that it will be the same for us. The key is when the ball was returned to Qian Zhao for the last time. What kind of idea is it for you to give him things in person? ! ! ! !

Give it to him face to face, according to the previous urine sex, this product is definitely going to leave soon, and I can't see the painting. Is this what Makoto hopes? Why not secretly put it in his drawer, as if he didn't know anything? I don’t want to break my head and I don’t know what Makoto thinks about you.

My God

I also want to finish reading this work and be moved a bit, who can give me a reason. . .

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Extended Reading
  • Genoveva 2022-04-24 07:01:15

    From the perspective of scientific theory, the story is not rigorous enough, and it is still novel in terms of subject matter. It is mixed with the theme of youthful love, the love of staggered time~ But there are also propositions about time in life, TIME WAITS for no one~ Every time I talk about such a complex theme, I will feel that the film has a very deep connotation~囧~ ~If you use the title of the song to describe it, it can be called "Summer Blown by the Wind", haha, in fact, it describes a feeling, just like my feelings for the light style "The Couple Sitting at the Alley", "I It feels the same as having had a cold in that corner.

  • River 2022-03-27 09:01:12

    "The Girl Who Leapt Through Time" is a legend in the history of Japanese science fiction. It has been adapted into comics and film and television works countless times. The versions of all dynasties reflect the characteristics of the time. Here I am referring to the animation theater that Yoshiyuki Sadamoto participated in the production of. Although this film is a small-scale production, it is the dark horse of the year, which unexpectedly defeated the huge "Legend of the Earth Sea".

The Girl Who Leapt Through Time quotes

  • [Chiaki just asked out Makoto and to avoid it, she leaps back to a conversation with Kousuke that happened a few minutes before. Upon landing, she clangs her head against a sign]

    Chiaki Mamiya: Uh, what the hell are you doing down there?

    Makoto Konno: Nothing at all.

    Chiaki Mamiya: Don't come crying to me when you change your mind too late about dating that girl.

    Kousuke Tsuda: Can we please just drop it now?

    [Turns and walks away]

    Chiaki Mamiya: See ya!

    Kousuke Tsuda: Later!

    Chiaki Mamiya: Hey where's your bike? Get on, I'll double ya.

    Makoto Konno: [Swallows nervously, remembering what happened before]

    Chiaki Mamiya: [Riding the bike home, with Makoto on the back again] That loser Kousuke, beat me to it.

    Makoto Konno: It's not as if he decided to go out with her.

    Chiaki Mamiya: That's what he says now, but I bet if he got a girlfriend then he'd always pick her over us.

    Makoto Konno: You can't be sure about that.

    Chiaki Mamiya: Oh man, without Kousuke, we'd only be able to toss the ball around.

    Makoto Konno: Why do you give the poor guy some credit and deal with it IF and when Kousuke does start seeing a girl.

    Chiaki Mamiya: Well, there's not much we can do if it happens. Anyway, how about you go out with me?

    Makoto Konno: Like I said, why are we talking about this?

    [Leaps back in time again to avoid being asked out]

    Chiaki Mamiya: [Riding the bike home, with Makoto on the back again] That's what he says now, but I bet if he got a girlfriend then he'd always pick her over us.

    Makoto Konno: Hey, did I ever tell you what a total idiot my little sister is?

    Chiaki Mamiya: Uh, I was talking about Kousuke in case you didn't notice.

    Makoto Konno: Forget him, let's talk about my sister.

    Chiaki Mamiya: So anyway, if Kousuke finds a girlfriend...

    Makoto Konno: LET ME TELL YOU ABOUT MY SISTER!

    Chiaki Mamiya: DO YOU WANNA GO OUT WITH ME?

    [Makoto leaps back yet again and realizing that Chiaki is going to ask her out despite her trying to change the conversation, she proceeds to walk home to avoid it altogether]

  • Chiaki Mamiya: There was a painting I desperately wanted to see. No matter how far away it was or what sort of place it was in. No matter how dangerous. I wanted to see it. Unfortunately in my time the painting had already been destroyed and before these times its whereabouts were unknown. The only place where there was an accurate record of it was in this present era, in this place. It was here, in this season. All I needed was to see it. I was going to remember it for the rest of my life.