It looks good, but not good enough.

Ralph Breaks the Internet

Really, the plot is old-fashioned enough, but it will still be moved to see Ralph and Vanellope's affectionate confession when they hug at the end.

The brightly colored pictures, Internet elements, official complaints of Disney princesses, and even bridges similar to Indian musicals have all added a lot of highlights to the film.

To be honest, compared with the previous masterpiece <>, the depth of this film is only suitable for audiences of younger ages . Overly simple contradictions and happy endings make it less novel than many other masterpieces, but I still think there are some audio-visual language and themes that are still worth analyzing.

First, there's the clip of Ralph's fire on "Boom." There are very few long shots in animated films. Although the scheduling is very simple, the director's simple scene switching in the office reflects the rapidity of Internet communication. At this point, in the author's opinion, there is a hint of "movie flavor" in it. Although it is not as cinematic as Jin Min's <>, but if the author remembers correctly, this should be the first long shot to appear in a Disney animation film. Irresponsible analysis: This may be a trend or development direction for future animated films.

Second, there is the plot where Ralph talks to the giant himself. This technique is actually very common. It can be simply understood that the giant is Ralph's "subconscious mind" , and it can also be understood as the "id " and "self" in psychology .

Another one is the delicate relationship between Vannilov, Ralph, and Sister Shem. I remember in that Disney Princess scene, one of the princesses inadvertently brought up the seemingly casual remark "We don't have mothers." In fact, the irritability of Vannilov's lack of motherly love has been shown as early as the last movie.

And the quarrel between him and Ralph after they didn't understand each other's pursuits highlighted the essence of her character. As an intellectual big sister, Sister Shem's role in the film is more like what a mother does - telling Yunnilov the true meaning of friends, and telling her that some things need to be decided by herself. In fact, in their common experience, as an anime character, having a mother or not is not really important. But since the screenwriter deliberately set up such a line, it must have its special intention. In a class on character analysis, the teacher said: When analyzing a character, you should not see what he has, but what he lacks. For example, the lack of the image of a strict father by the hero of <>, in order to use his teacher subconsciously as the "father love" of the missing part of his own, motivates himself to pursue the drive on the drum set. This kind of character relationship can actually be applied to Yunnilov and Sister Shem.

In addition, as far as the relationship between Vannilov and Ralph is concerned, I think Ralph is more like Vannilov's "father" image. She is always worried about her safety, and she is not allowed to try new things, and her possessiveness has reached a certain level. And understand Yunnilov's actions at the last moment. Change your old-fashioned thinking. In this way, it seems to be somewhat similar to the way our parents treat us when we were young, especially when we were adolescence. In the end, Ralph's "compromise" reminded me of a short film <> some time ago, in which the father and the son were dependent, conflicted, and finally reconciled.

Overall, this is a film that is not good enough, but has enough laughs and tears. Maybe it's influenced by some of Disney's previous masterpieces? That's why I have such high expectations for it?

View more about Ralph Breaks the Internet reviews