I cried the second time I watched it. I used to think the most fascinating part of the whole film was the scene of Thelma robbery, this time it was the scene of kidnapping the police, shoot the radio, take the belt, leave air holes, get the key, all in one go, which truly embodies the "true calling of the wild" ". There are many details that have not been paid attention to before, such as the portrayal of the "feminization" of the police group throughout the film, and the neutralization of the gender opposition by the role of the state police detective Slocumb, which are all very intriguing places. In the context of fading the halo of f-nism, the trajectory of the characters still stands up to scrutiny. Louise's emotional line and Thelma's growth line are intertwined, and together they lead to the scene of the final leap over the Grand Canyon. Ridley Scott's handling of this big issue is not simply "with oppression there must be resistance", but a foreshadowing in the dialogue between the police detective and JD who led the two to rob, everything is driven by the plot of the characters, not by The narrative core is driven, it is really smooth. The soundtrack is the ubiquitous Hans Zimmer again. After reading it, I just want to pick up a western accent right away...
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