The story is simple, the connotation is complex, and the extension is far-reaching. Two young girls, with the same original attributes, meet in the vast sea of people, and their love is on the verge of being unstoppable. Just like two lonely whales in the vast sea, when they meet each other with the same frequency, they quickly fall into each other's strong desire and harmony. Intense erotic expression and deep soothing. Originally born from the same root, but not in the same soil. Humans are social beings, they are born with imprints, and they are layered in differentiated social spaces. The path of life has long been written down with established rules. A touch of blue love The film is straightforward and pure, telling the love story of Adele and Emma in a very realistic way, interspersed with obvious conflicts, confrontations and metaphors. Adele's ignorance, the confusion and confusion growing up, Emma's sophistication, struggle, self-validation, and the class difference between the two who seem to be indifferent throughout the film is ubiquitous and rude. This is really heart-wrenching. Adele's overwhelm, embarrassment, inferiority, and inferiority in front of Emma are reflected in the words, expressions, body language, and even food of the two. It makes people feel bad for both Adele and Emma. It was a premeditated plan from the beginning, but the two of them had already realized it in the end, but they just avoided it. It was not until a violent conflict broke out between the two over Adele's derailment that Emma directly expressed her inner truth in this love affair for the first time. "Do you think it's only you who is suffering!" Finally, he said the inner conflict that he had always cared about but couldn't bear to face. She violated her beliefs. She believes in Sartre, existentialism, people are free and unfettered, and people's behavior determines the meaning of their existence. In the park where they first dated, Emma said that Sartre inspired her. It is not difficult to imagine that she also experienced a period of painful entanglement and struggle with her identity, and found an outlet in Sartre. So she was determined and unshakable. But her love affair with Adele made her miserable, the two were so different, and Adele made her feel embarrassed in front of her friends and family, reluctant to admit that she was using social norms and rules to demand Adele, because it was different from The Sartre of her beliefs is contradictory. Sartre is an absolute libertarian, he believes that all social norms and constraints are the shackles brought by human culture, and he advocates absolute freedom and classlessness. Obviously, Emma violated her beliefs, or Emma's own limitations made her choose Sartre's beliefs, for example, she is gay, she tried to love men and women, and finally chose love. woman, and found a fulcrum in Sartre's chosen theory of absolute freedom, so she said she was inspired. But look at what she is doing in love with Adele, unconsciously high above, subconsciously wanting to frame her lover in her own frame. She is shrewd, sophisticated, and she wants more. She believes in Sartre, she is free but not pure enough, and it is not easy for her to live in such a love relationship. Adele was almost unconscious and drifting with the flow. Eat, sleep and have sex with your own instinct and nature. When I love Emma, I follow her and depend on her. She has no self, and she doesn't know what she wants or not. She lives simply and naturally. Emma is everything to her, and Emma scares her too. From the very beginning, the two of them were completely unequal. She was shy and embarrassed towards Emma, at a loss and at a loss in front of Emma's family and friends, which made people feel heavy and distressed. Rather than saying that Emma is gentle, it is better to say that she is sophisticated or educated. She always smiles all the time. A slightly depressing and cheerful smile has almost become a symbol of her. If you over-interpret it, it can be said that The hypocrisy of becoming a bourgeois elite (as the Chinese teacher analyzed it as a child==), but this is Emma's way, you can call it hypocritical, you can call it sophistication, and there is something personal about it Emotions and temperament are in it. Emma's laugh always felt unreal, and although it was always visible, there was always a sense of cynicism that seemed to cover it up. For example, when Emma Taotao keeps talking about high-level propositions such as culture, art, philosophy, etc., when Adele agrees with it for some reason, but it is completely missing the point, Emma will laugh like this, and then say It's funny. When I was a guest at Adele's house, I was asked various questions by Adele's parents, such as her boyfriend, what job she did, and she helped Adele to lie, and laughed like this. Always laugh casually in front of friends in various social situations. And we rarely smile when we see Emma's true feelings revealed. In contrast, Adele is the real existence, the true Sartreism with no purpose, no destination and free choice. It's ironic enough to read it this way. Adele's expression is always confused and in vain. This is her normal state. She laughs when she is happy. She doesn't laugh like Emma casually, but when she laughs, it is real and comes from inner joy. For example, when girlfriends joked together at school that the cool guy liked them, and when they encouraged them to try, her expression was innocent and happy, as well as shy and a hint of unnoticeable pride. Lying on the lawn with Emma in the park, kissing Emma, and laughing, it's very real, it's the kind of mood, ambiguous, and the ignorance and sprouting of loving someone, and I often feel stupid. It's all real, unmasked and unadorned. And cry, cry. I cried after breaking up, couldn't find passion after having sex with my boyfriend, and felt confused, anxious, and frightened, so I cried and cried, and suddenly laughed after being amused by my best friend Gay. Crying after breaking up with boyfriend, crying, then eating again, crying and eating, that's it. After having sex with Emma, she shed tears silently, with mixed feelings, and she was hard on herself. After being kicked out of the house by Emma, I cried a lot, with tears and snot flowing together. That's it, never hide it. Adele is the purer and true expression of Sartreism. She does not need advanced philosophical theories and expresses through words and paintings like Emma. She just lives naturally without any distractions, and her life itself It is existentialism, without other exaggerated forms, just as Emma encouraged her to create and write to people, she said, "I can only write my feelings, I can't show my life to the world", this is her The choice, just like Sartre's existentialism, not to choose is also a free choice. She and Emma have the same true colors. Emma pursues her own free choice and way of existence in a maverick or distinctive form. Adele doesn't have it. She doesn't know if there are any, she just does it. Unconsciously practicing Sartre's existentialism. So when they meet, it's on fire. As in the interview with Adèle (actress Adele) and Lea (actor Emma), lea said, I believe in love at first sight, and our glance is actually to find the feeling that has been seen a thousand times. We are addicted at a glance, because we are in that moment The time illuminated each other's souls, we found the same self, found ourselves. Although our forms of existence may be completely different, the core is the same, so there is no escape. At this level, Emma, who has always had a clear self-boundary, began to be confused, and the depth of love touched her unknown boundaries. Just like in the scene of the final separation, Adele tried to use her body to recall Emma. The speed and depth of Emma's fall surprised Adele. She took a special look at Emma, and she was already distraught. Fans can't help themselves. Three years have passed, and it seems that time has changed. When we meet again, everything is the same as before, as if we have never left. At this time, we can see the real Emma, Emma's fragile tenderness and innocence. Adele asked her how her sex was. She was silent, frowning, and she said, I don't know, it's not like being with you. This is the first time we see Emma emotionally, bewildered, sad, tender, and then she cries. Emma said, I am with someone else, you know, but I have infinite tenderness for you, I always will. Then get up, hug, say goodbye. At the blue door, Emma gave Adele a slight smile, and then disappeared into a blue. Blue always accompanies Adele's lust. From the moment she began to question her sexuality, she accidentally kissed a female classmate at school on the stairs. The female classmate's nails and rings were all lake blue, which was the germination of her initial love. I came across a blue-gray-haired Emma on the street, uninhibited and arrogant, and that glance seemed to have happened a thousand times. Find that blue ash in the gay bar, ambiguous lust flowing. The music in the bar was too loud, and he wanted to talk to Emma Ergen. Adair's heart was full of desire and wanted to hide it, but he was embarrassed to approach, and he was awkward and shy. Emma was skilled and went straight to the topic, "This kind of thing is not accidental", and then left with friends laughing and playing. Emma in Adair is always a touch of erratic and irresistible blue, it is a desire. She is so high above, she is so small that all her actions around her seem out of place and awkward, but she just smiles shyly, slightly embarrassed and ignorant. But it's this authenticity and naturalness that attracts Emma, who says don't know, you're not like all the types here. This is Emma's background color, maybe she doesn't know it herself. In the violent outbreak of Adele's derailment, Emma almost used the most vicious words, what prostitutes, sluts, etc., but the one that people can remember is, "Since when did you start lying? Yeah, when did you start lying." He shouted out what he cared about the most. And after that Emma's art circle friends gathering, Adair was lying in Emma's arms and said that the gallery owner was Emma's friend and would definitely exhibit her paintings. Emma immediately retorted that he was not a friend, Relationships are professional, not friendship. It implied that although Emma grew up in the elite class, she was familiar with her eyes and ears, and knew the rules of the game, but she was still constrained by it and could not be free. Adele's blue, Emma's blue, are the two original blues, the background color of their deep soul. Emma's cool gray-blue finally disappeared, and the ash-cold of her hair turned to the original golden yellow, but Adele's blue was always there, just as Adele's blue room from the beginning of the film, her blue Color clothes, the blue nails of the female classmate who provoked her for the first time, Emma's cool gray blue, the blue of the restaurant when Emma finally parted, Emma's blue coat, her own blue skirt, Emma disappeared In the blue shimmering doorway. What followed was a long breakup, like the end of all love. Adele's blue is still there, in the house, on the walls of the kindergarten, on the table, on the stool, on the children's dictation board, on the doorknob of the cabinet, everywhere, like Emma's shadow , the hair changed back to its original color, and the blue in the eyes never changed. Until the end, Adele was invited to participate in Emma's painting exhibition, she still did not change, but Emma is already the new Emma, the old Emma is blue, the new Emma is red, Adele still wears it That blue dress, her blue was the same as always, looked abrupt at the exhibition, but she subconsciously searched the walls for the blue of the past, the blue of the same texture that she and Emma had, until finally she brought her own That smudge of lake blue disappeared from our screen. love's blank The nature of love is pain. The more erotic expression comes from the heart, the deeper the depth, and the more loneliness and fragility you experience. The blank description of love in the film gives a space for this emotion. The sweetness of love is more like a kind of provocation of seeing flowers in the fog, wanting to refuse and welcome, the experiencer's budding mood, the complacent when they get feedback under the drive of desire, how much happiness, the pain will be doubled. If you continue to go deeper, you will get more mostly through the awareness of your loneliness and vulnerability through the body and soul of the other party, which is the dilemma of your own nature. Similar to the ultimate topics at the philosophical level, such as who I am, the meaning of life and so on. This was discussed in the celebration of Emma's exhibition, such as discussing that everyone experiences different happiness, my happiness is different from yours, we will not reap the same happiness, discussing the happiness between different sexes, Thereby harvesting different realities and so on. The true soul-body sex is a deep communication of the soul, which can reach the essence of the self, encounter one's own loneliness, fragility, and helplessness, and complete a journey. Empty. The sex scene of Adele and Emma in the play is such a profound exchange. It's so direct, rough and violent, exaggerated in form, but not much emotion, emotion, desire, that's all, so violently narrated and consoling, and then all that's left is emptiness and emptiness. After almost every violent sex, we can see Adele cry, not like a normal child, crying, pain, snot and tears, or crying and laughing, but imperceptible. , if there are no traces of tears on his face. She is unrestrained, reaching the depths of the other person's soul, reaching her own origin, doing her best, and the rest, the huge void is suffocating. Adele was natural, she didn't know why she was crying, but she was sad because of mixed feelings, so she shed tears. Emma's emotional expression is restrained and occasional. Her fragility and innocence in sex are written on her face. The more she is devoted and released, the more fragile and beautiful she becomes. The blue ash on her head has become a white body. A touch of warmth in the blend. In the nearly 3-hour film, Emma's emotional expression is very little. Except for sex, Emma's words are fierce during the parade, when friends gather and discuss, and the anger when Adele is kicked out of the house, including her anger The signature smile has no warm feeling. Blue has always been a cool color in the definition of aesthetics. To say that blue is warm, what I want to see is the fragility and innocence in Emma's sex, and when Emma and Adair are inseparable at the end Confusion, confusion, vulnerability, tenderness and sadness, that's the only time we see Emma's vulnerability and tenderness. The emotional description of the two people in the film also uses a lot of blank space, especially the scene of a date in the park, where benches, big trees, green spaces, tender green maple leaves and orange-red maple leaves are intertwined. Emma painted Adele, and the two of them had a relationship, and the mood was slow and quiet. The first kiss, lying on the lawn, Adele had the innocence of a virgin, and her tender face was full of childishness. She took the initiative to kiss Emma, and felt embarrassed, and then smiled stupidly. Feeling, the taste of love. And the emotional blankness in the lovelorn, you can shed tears anytime, anywhere. Adele was kicked out of the house by Emma, cried bitterly on the street, left her tears after sending her students away at the end of summer vacation and turned around, smoking and crying after waking up from a spring dream with Emma in the middle of the night, in the car She was smoking and shedding tears. Eating, working, sleeping, walking, the rest is blank, empty emotions are placed in such blank space. The silent white is tingling and can't be filled no matter what, like a black hole. Adele is floating on the blue sea in a red swimsuit, with only the sound of water and her own breathing, and the sun is dazzling blank; Adele is lying on a bench under the big tree where she once dated Emma, with leaves rustling around her ears The ground rang, and large swaths of land fell, leaving large and large blanks. I love you so I always cry. Adele said to Emma, "I'm sorry, I'm always like this. I sometimes cry out of nowhere, you know I'm always like this." Because I love you so much that I can't help myself, I always cry because I'm afraid of this I won't see you again after one time, what should I do, I miss you more when I'm with you. The director's foreshadowing The director is objective and stern, seemingly indifferent, without any attitude or tone, just a statement. The audience, regardless of age or gender, was defeated one by one in front of the screen. It's a cold movie, no warmth, not a bit, blue is always cool. So I still think that the title "Adele's Life" translated from mainland China is the closest to the quality of the film itself. Every one of us gets hit easily because every one of us is Adele and we are all Emma. We see in them our own limitations and shackles, just as Freud believed that human culture is first and foremost a set of methods used to limit and forbid people's reckless, free, deep-seated desires. Social class, identity, love, sex, life, hardship, loneliness, loneliness, sadness, pain, agitation, growth, and death are all natural states of life. The director's foreshadowing has long run through the film, and I personally interpret it as two banner and symbolic parades and rambles by passers-by. In the two marches in the film, the proposition that Adele participated in alone was to oppose class, oppose the system, and fight for rights, representing the lower class. The song sings "From urban projects to distant villages, we are social outcasts, always outside the threshold, we can't find where we belong, we don't have a proper face, we were born without a silver spoon, we didn't live in a golden house, we didn't have a place to live. No jobs, no papers, we're thugs, they don't want us to unite, they're doing it well, their world is dog-eat-dog, we're just cogs in the machine, let's set new goals, make their heads tremble, we don't bow our heads We don't bow our heads!" The crowd was excited, with the shadow of the French Revolution, Adele jumped and danced, sang, shouted and laughed, the whole person brightened up, jumped up, it was a rare vivid moment in the whole film , she is in her own class, shouting for herself. The other was a gay parade with Emma. Adele was completely different from the first parade. They were just blind and sympathetic. This was Emma's cry. It had nothing to do with her, she just loved Emma. , without him. When Adele and Emma are together, apart from sex, they are really expressing themselves. Most of the time they are repressed, blind, and at a loss. This is not her class. Look at her first parade. attitude. Then there is the babble of passersby. For example, in the literature class after Adele's first parade, the teacher interpreted the word "small" in the play and said that it was the same word that was branded, symbolizing childhood and lack of rights, and feeling helpless as a child , not mature enough and not strong enough, when it comes to Autigone (one of the three tragedies in ancient Greece), she defied the king's order, buried her rebel brother, and was doomed to tragedy, and then said that tragedy is inevitable, we can't escape, no matter what How do you do it, it's about eternity, those things that are beyond time, it's about rules, it's about the core of humanity. The beginning is a metaphor for the proposition that the director wants to express and the final fate of the protagonists. And later Emma's very knowledgeable friends, talking about the happiness of different people, talking about sex, talking about feelings, and talking about harvesting different realities while eating pasta are the clues implied in the film. The director's choice of actors is also very consistent with the proposition. Lea has a pure sense of vulnerability and melancholy. As long as she doesn't laugh, this feeling will emerge naturally. Adèle is pure and unrefined. The natural attributes of the two have a strong dramatic conflict, which is also implied. The social class they represent is completely natural in the film. The director's choice of gay love is also very relevant to the current reality. Although the topic of gays has been accepted at present, it still has a symbol of resistance compared to heterosexuality, just like Romeo and Juliet, Liang Shanbo and Zhu Yingtai many years ago, It is also a foreshadowing that the director has already planted. At the end of Adele and Emma's final parting, Adele said that you would not forgive me, and Emma said that I forgive you. Adele said you don't love me anymore, and Emma shook her head. Adele said I wouldn't bother you again, and Emma said you never bothered. Emma said, I have infinite tenderness for you, I always will, all my life long. Emma is gone, her hair is already yellow, wearing a blue coat, with a slight smile, she disappears into the blue background. Just as Adele saw Emma for the first time, in the busy street, Emma's gray-blue hair was fluttering, and in the sun, her face was white and cold, grinning wildly and unrestrained. Blue is never a warm color, it's just the purest undertone of Adele and Emma, who comfort and warm each other briefly in the long long, then get up and leave. I heard the theme song of the film again, II follow, I follow you deep sea baby, I follow you, II follow, I follow you, dark boom honey, I follow you. I love you, bye. I have infinite tenderness for you, forever, forever. I love you, bye. I have infinite tenderness for you, forever, forever. I love you, bye. I have infinite tenderness for you, forever, forever. I love you, bye. I have infinite tenderness for you, forever, forever. I love you, bye. I have infinite tenderness for you, forever, forever.
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