Falling in love can sometimes feel like you're on a thief ship, and it's okay to say people can't stand understanding. A man who fell in love and found out how EMMA can be so narcissistic. A narcissistic person cannot tolerate cheating, no matter what the reason behind the cheating is or whether it is a problem with him or not, cheating is a disrespect for his own feelings. One can imagine how vulnerable EMMA's feelings for ADELE are: she puts herself on the pantheon. So even the breakup was so premeditated. He also said, "Do you think you're the only one suffering?" Please, you're not the one under the pomegranate skirt. If you have to suffer, it's more difficult to organize an art exhibition, dear. Watching this movie thinks of "Annie Hall". The same, the woman pursues the man (since EMMA is TOMBOY, then I will use her as a boyfriend for the time being, but since when did Tomboy accept each other?), the same, the one being pursued is an artist, and there is so much He looks down on his girlfriends faintly because they are not cultivated, and don't get enough exposure to the arts. The difference is that Annie, a "foreigner" outside the ALVY circle, is slowly catching up under the influence of her boyfriend. , and ADELE, a countryman tied to a narcissist, could not catch up on his own, and was left behind every minute. For someone like ADELE who is rich in heart and not very talented, she can't fall in love with anyone other than EMMA. EMMA is her teacher (tutoring her in philosophy), friend (at the end of the bed scene at ADELE's house where the two talk silly), lover (the bed scene that has been repeated all the time, including later EMMA himself said that LISE is not like ADELE) Passionate), and also her mother (the two were lying on the bed after entertaining her artist friends at EMMA's house, and the camera shot ADELE like a little girl lying in her mother's arms, with EMMA's breasts on the side). So ADELE is Annie Hall, Annie Hall, the deformation of Anhedonia, "does not have the ability to feel happiness".
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