Really like! The long-distance drive on a snowy/rainy night, the illusion of hitting some strange white animal; the yellow cat full of drama, the cat's face projected on the subway window; the strange person encountered on the way, the light shining on the human face in the closed bar ; Superb guitar skills and touching songs, (some commented that the song is too long and sincerely advised him not to watch this film); The fate that is completely uncontrollable is not coincidentally unlucky, someone else's girl who should not be emotional; Of course Also, there is no story with a bright ending, just like what Louie described to the boss of the film company, there was a person who had a bad time, encountered some things, and it turned out to be even worse. Of course, he was hardly worse, but he had reached the bottom. I couldn't feel it any lower, so the ending went back to the beginning. I thought I hit the progress bar by accident and went back to the beginning.
That's enough, I don't care about history, times, or the Coen brothers, or Dylan or anything.
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Inside Llewyn Davis reviews