(1) The idealism rooted in the bottom of my heart
If anyone is sadder than independent musicians, then "Once" and "Let's Go Again" probably have to feel very lucky, at least there is a place to live, watch "Drunk Town" The male pig's feet in "Folk Song", who rubbed against the sofa, rubbed the coat, rubbed against the woman, rubbed the car, and rubbed all that could be rubbed. But still the same sentence, except for music, everything else is a mess. In fact, it is better to say that, except for ideals, everything else is a mess, which seems to be more applicable to all situations. From the moment he left the house and walked outside, the cat followed, and the door slammed shut the next moment, blocking all escape routes. Rather than saying that he walked into the world with a cat and a cavity of ideals, it is better to say that he walked into the world with a cat that symbolizes ideals. When the cat was in the car watching the stop sign outside the window, I thought it was the fear of reality rooted in the idealism deep in my heart.
(2) People who love cats and people who don't love cats
Jean is obviously a person who doesn't love cats. When she saw the cat in the house, she was in a bad mood. Of course, it also had the effect of pregnancy. But I personally think that loving cats and not loving cats is not reflected in this, but there are two other places. First, when Gene told our male pig's feet about the pregnancy, the male pig's feet kept thinking about the lost cat, and Gene looked like he was going to explode. The second is that they were sitting in the cafe, and the two discussed their future lives. Obviously cat lovers tend to be more idealistic, while non-cat lovers tend to be more realistic.
(3) You don’t know that you are holding the wrong cat
I've never had the habit of guessing the plot of a movie, but when I watched this movie, I guessed it out of nowhere and got it right - he was holding the wrong cat. They may all have struggled under idealism, so they often feel that many things are very similar to their ideals, and it is easy to regard them as the same thing, but they are actually different. It's like that cat, which was somehow misidentified. It is also like your ideal, secretly replaced by yourself. He said after he arrived in Chicago, he said he wanted to perform, or to be a manager. Maybe he didn't know when he stole his ideal and changed the concept, just like the cat, it looks very similar, but it is not what it used to be, just hadn't realized it yet.
(4) Hesitating to give up
When the male pig foot was about to leave the car, he stood in front of the cat and hesitated for a long time, not knowing whether to take it or not. After a while, he decided to leave the cat behind. In fact, I don't think he gave up the cat because of inconvenience, but because it wasn't the original cat, and he has no sense of responsibility for the current cat. The hesitation was because he felt that at least he had accompanied him together, and he was a little reluctant. It's a little embarrassing to have no taste and discard it, and so are those ideals that have been replaced. You want to give it up because it's not your original ideal, and you don't want to give it up because it's closer to you than the original, and it's easier for you to get slaughtered.
(5) It is not called Ulysses, it is called ideal.
You have never known its name, and the relationship with it has always been in an awkward and ambiguous state. You ask what its name is, and it only responds with "meow" twice, just like when you ask when your ideal will come true, but you only hear the north wind blowing against the window, and you don't even have a cold clothes. When you go around and finally see it again, you finally know its name. But I think it's not called Ulysses, it's called ideal. So you dare not tell others when you lose your cat, just as you dare not tell yourself when you lose your ideal.
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