You cow you go. you pig? sorry, this is a movie

Caden 2022-04-20 09:01:37

For some reason, the protagonists of Matt Damon's early films seem to have been carved out of a mold. Soul Catcher, and the King of Gamblers I watched today. Two movies must be 90% similar (well, yes, I calculated it with cosine similarity, smirk by hand)

But why does this movie feel more intimate?
In fact, the fame of Good Will Hunter should be bigger than this movie. It is about a normal guy who suddenly finds that he can solve the world's problems in mathematics, and with the help of a few professors, he found himself in the next step. Mathematical talent. But the film does not focus on mathematics (otherwise the audience will be small?), but focuses on the male protagonist's self-discovery and following his heart.

Personally, I think that Matt in Soul Catcher is more unreal than him in The King of Gamblers. (Hey, you said that he was not real enough to have evidence?! I'm sorry, because I watched it a long time ago, and the plot has been forgotten a bit, but I remember that the touch at that time was not as big as I imagined.) The male protagonist in the King of Gamblers has a wishful female vote, but he opposes him to play at the table again; (This is not nonsense. You even lost the tuition fee with one card, you are still studying, you let you How can my sister feel at ease with you piapiapia~) And then the male protagonist has a gay friend who is also addicted to gambling. Before going to prison, he owed a lot of money for some reason, and he had a face like Edward Norton (yes, It's that fine score in Fight Club), and it's a good deal. After his good friend was released from prison, he pulled the male protagonist to resume his old business with him. During this period, Norton cheated his teammates in various ways. However, the male protagonist actually wanted to help his base friend at the end of the film, so he said "I think we are even now" at the end.

Remember the math professor in Mind Hunter? Yes, there are similar characters in King of Gamblers (it's like the sweeper in martial arts movies, the prophet in The Matrix). The old wetness of the male protagonist is an existence of sauce: he can see the talent of the male protagonist in playing cards with his eyes, and he does not think that it is not a proper job like the male protagonist's female ticket (Excuse me? It really is because the gender is different and can't fall in love), He also took the initiative to invite the male protagonist to drink, and told the male protagonist that he had a similar experience with him, and that the choice he made to follow his heart at the beginning (it was a copy of the male protagonist) At the most critical moment of the male protagonist, he also appeared Money to subsidize the male lead's dream. (Anyway, it's the old wet from someone else's family.) So, in the end, the encouragement of the old wet, the assist of the female vote (the female vote is actually a good person, but she can't stand the male protagonist's repeated obsession with gambling), as well as the teammates' gods and pit fathers, etc. In terms of (drama) profit (love), cause (need) and prime (need), the male protagonist finds his old enemy and completes the counter-kill. In the end, when she broke up with the female ticket, she also left a handsome back that made the female mainstream forget to return. (The protagonist's halo is good.)

This story tells us that if you know that you are one of the great of the greatest, you can do what you think is right regardless of everyone's opposition; if not, just wash and sleep.




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Extended Reading
  • Eriberto 2022-04-24 07:01:05

    The philosophy of life that can't stand up to scrutiny is also a bit unfinished and it ends. I really rolled my eyes and rolled my eyes to death, so in the end it took so much effort, did Norton just disappear like this?

  • Skyla 2022-03-28 09:01:02

    It's not interesting, a typical gambling movie, watched at Edward Norton, and Edward Norton played a little scum.

Rounders quotes

  • Professor Petrovsky: [sitting across from each other in a bar] I know a magician doesn't reveal his secrets

    Mike McDermott: I'm not a magician

    Professor Petrovsky: If it wasn't "magic", how did you know what everyone held?

    Mike McDermott: It's a combination of things: I was watching when the cards came out, that's just an old habit with me, it's like breathing

    Professor Petrovsky: Watch the cards?

    Mike McDermott: I watch the cards but I also watch the player react to the cards. That's how I knew the DA made his two pair and judge Kaplan missed the flush, I was watching their eyes when they checked their river cards, their faces tell you everything

    Professor Petrovsky: [Confused] you watch the man? I never knew you had to calculate so much in cards

    Mike McDermott: here's some advice, just play premium hands, you only start with jacks or better if its good enough to call you've also got to be in there raising, tight but aggressive and I do mean aggressive, you've got to think of it as a war

    Professor Petrovsky: [Jokingly] you're officially never invited to our game again

    Mike McDermott: I don't blame you, put a guy like me in that game, cards don't even matter I'll play it blind

  • Mike McDermott: [sitting across from each other in a bar] You have a respectable profession

    Professor Petrovsky: Not to my family my parents were devastated, destroyed by my decision my father sent me away to New York to live with distant cousins I eventually found my place, my life's work

    Mike McDermott: What then?

    Professor Petrovsky: I amerced myself fully, I studied everything I could about the law I felt deeply inside that it was what I was born to do

    Mike McDermott: Did your parents get over it?

    Professor Petrovsky: No, I always hoped that I would find some way to change their mind, but they were inconsolable, my father never spoke to me again