Female Power - Stories About Women: They Can Live Well Without Men

Branson 2022-03-24 09:01:49

Prose narration does not constitute the main cause of the "weak image", on the contrary, it is a step-by-step increase in the concentration of emotions, allowing the audience to slowly let go of the pursuit of the plot, fully enter/experience the characters' hearts, and live in the era and space. , the audience sometimes becomes a bystander, and sometimes becomes a participant. But "Roma" is just a form of imitator. The editing and scheduling are all TV images. Everything is placed on one plane. To make it clear to the audience, the sense of time control and the narrative line are the stupidest connection (see above). In one scene where the owner was angry and asked the worker protagonist to hold the shit, and the next scene was really holding the shit), even if there is not much difference between TV and the big screen, the black and white makes the image too calm. Alfonso really combed 70 in depth. The face of Mexico in the 1990s? Most of the time, I don’t know why I moved. It seems to destroy the amount of information and stories for the sake of long shots. At most, he can reach the horizontal level and penetrate into the inner emotions of the characters and almost completely fail. Why does the relationship between workers and children deepen? As Hollywood superficial, Alfonso is not worth a question in front of Iosseliani, Olmi, Tati and Hou Hsiao-Hsien.

Emerson 2022-03-26 09:01:05

The Venice judges woke up one after another from the drowsiness of Ravdaz's "The Woman Who Left" in 2016. It was already 2018, and they found that the movie was not over, and it evolved into "The Man Who Left". The judges were sleepy and scared. I was in awe, so I sent the Golden Lion Award to "Roma"