When I first watched it, I thought it was a spy war movie, but after more than half of it I realized that it was actually a romance movie. This feeling of gradually entering the country is just like the life experience of the heroine in the film, acting in a play, acting as someone else, and finally living out her own unique life, enjoying the joy of life that belongs to her, and achieving her own. heroic choice. While the audience gradually realized the actual nature of the film, most of them must have also had a good experience. The choice of the heroine at the end of the play is out of her deep love for her husband who loves her deeply and her children to be fed, which reflects a great sense of responsibility. I believe she finally understood: the life that was stolen must be repaid after all. This story tells us that it is absolutely necessary to live out a true self in life, but anyone who hides secrets from his lover and compromising for some superficial and material needs, not his inner needs, will eventually pay the price.
The film's ending reminds me of another classic about identity fraud: "Three Silly Bollywood". The difference between the different endings of the protagonists of the two dramas lies in the fact that the protagonist of "Three Silly" is well aware of his ordinary destiny, and after completing his studies under the false identity, he quickly quits, lives with his true identity, and actively uses the false identity. The knowledge acquired during the identity period is created, and finally a complete life is harvested. The heroine of this film is deeply trapped in a sweet and happy love life, unable to extricate herself, or never thought of extricating herself, and finally ends with a tragic ending.
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