The film is indeed the most prominent element of clothing. The two protagonists do not lose points as a whole in terms of interpretation, and many regrets are not the fault of the two protagonists. The process of getting acquainted and falling in love was very abrupt and didn't feel like there was a call. It was more like a serious comrade-in-arms. The female protagonist was very feminine in makeup and dress, but her words, deeds, demeanor and personality lacked exciting female charm. The female protagonist can't use her hands and feet. In the end, it is too far-fetched to scribble the passion of a car shock in the desert storm to explain that the two are willing to unite with each other. After the marriage and the reversal of the second half of the plot, the interpretation of the male and female protagonists is naturally much smoother. I have to sigh that although Pete is not as handsome as he was when he was younger, he is still handsome and looks like he should be in his forties. The importance of physical and mental appearance, most people are not old and ugly, but fat and ugly. The heroine has an outstanding body and temperament, with strong facial features and a prominent sense of presence, and indeed has the same face as Chinese actress Mei Ting. The heroine's red lips are impressive, and sure enough, the red lips are more suitable for the big facial features. The most fatal flaw of the film is the screenwriter, who flatly describes the plot of the running account, the rhythm is protracted and has no focus, and the rational logic and tension of the plot development is lacking. A bad screenwriter who can't tell a reasonable story is a complete veto for a good film, and even the best actors, costumes, soundtracks, sets, editing, and even the director can't save the film from being mediocre and boring.
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