The credibility of the setting of concealing the truth from both sides and its background arrangement is not low, and there is no sense of soap opera.
There are many nuanced moments in the whole play, which are funny and smart.
The process between Dreyfus and Gandolfini from being strange to getting to know each other is wonderful and comfortable. They are very close, very natural, and very immaculate.
The death of actor Gandolfini himself is very present in the film. At least for me. And the film also showed his gentle house-wife side. His first appearance, the first time they kissed, the way he was driving, the way he was cooking, the way he was wronged... all made me quite emotional.
Although Julia Louis-Dreyfus did not depart from her previous roles in many roles, single mom, check, clumsy dialogue skills, check, embarrassing scenes, check, but because of this, she naturally achieved full marks in all of them, and this character She was not clumsy to the end. After she said the wrong thing, or felt embarrassment, she could naturally save it. It seemed very real, without a sense of Seinfeld.
After the movie is over, there is a black screen in the middle of the cast and credit list with only two white words on it: For Jim, and then the girl sitting in the rows in front of me choked and wept. Due to the interference of the background music, I am not sure there are How many people are sniffing.
Bye Tony!
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