Love and sci-fi are mixed into genre films, and both love and sci-fi are not doing enough. On the clue of love, first of all, the characters are not pleasing, the men are not handsome, and the women are not beautiful. The director's original intention of the male protagonist is to be a bit scornful, bohemian, but with a kind heart in his heart. In the development of the plot, in the encounter with the heroine and the confrontation with the monster, he has completed the redemption and sublimation of his own character. But Whitney's role is quite blunt, without scorn and bohemian temperament, so his civilian heroic image has not been established. The heroine looks ugly, and is so sick that it is not so pitiful. The director intended to portray a purely compassionate and kind woman, but the role of the character is artificial. The two very bad scenes is that the heroine finds that the heroine is sleeping with a woman in a hotel, and the heroine runs away.
Don't shoot this kind of science fiction subject at a cost of 50W again. The audiences of this kind of film are looking forward to the game between humans and monsters, the visual impact of monsters. Because of funding, the so-called monster-human game only appears in the end, not to mention that the monsters are too fake and ugly. This story, which is still expecting a hero to save the United States, turned out to be two monsters making love to each other and leaving together. Hitchcock’s suspense film is to lag the conflict scene and create a sense of suspense for the audience, but the suspense of this film is that the money is not enough to read, so you see the time period of more than 1 hour. Here, it's either an invisible monster in the night, or a sound, or a weak focus lens.
The film also mentions a powerless US government. If there is a political insinuation, it will be tougher, or else don't do such a powerless burden. If the U.S. government is made cold-blooded and failed, perhaps the film can be improved to a higher level.
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