Delusions continue

Braden 2022-04-20 09:01:34

Why write a black-and-white film so early, because it doesn't make me look deep. (Do you have any depth in your answer...?)
Seriously, I have always liked to watch early noir films, especially when I was in college, so I can also report some very typical and popular movies. The name is here to shock you, but in fact, I can't quite remember the plot of a large part of the movie now, and there are only a few unforgettable scenes left. Just like I love to look at paintings, there are several paintings that make my heart flutter, and I often can't remember which famous artist they came from, but so what? The aura of beauty will always stay, and the same goes for movies.
Of course, I really want to watch this movie because of the "titles" some critics gave him, such as "one of the most successful scripts in American history", "there is no nonsense in the whole film", etc., and I am a People who are easily moved, so much that I sighed the whole time I watched the whole movie. It really is that every sentence is a direct response to the previous sentence, and every sentence can directly express the intention of the character, even I think Every shot, even the footsteps, was just right. However, this is too much like a script, isn't it, because it is too strict and meticulous, it will make people feel a little bit out of touch with real life, we are often in some moderate nonsense and meaningless actions Only then did I slowly experience a fresh person's personality and true emotions.
The depiction of evil, or the fraught conflict between good and evil, is less extreme than some of the more somber films of the moment, and it wasn't until the end of the film that I saw the Even if I can't remember the plot of this film, I can still draw the picture of the movie. The male protagonist Neff fell on the sliding door leading to the elevator. He slowly fell down because he was not physically strong. There was no unwillingness in his eyes, only that A heartbreaker and sadness. I think that it is a kind of "suffering", a kind of "suffering" that is involved with but ultimately dragged down by the things that I hope for and my delusions. Maybe it shouldn't start, and there will be no such helpless end. Just like the "train" theory said throughout the film, get on this train and you don't want to jump off in the middle. Think about it, all things in the world are not like this, if they can be cut off in a hurry, then there will be less sorrow and resentment, and there will be less life and death.

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Extended Reading
  • Josianne 2022-03-28 09:01:02

    A very good suspense and reasoning film. It was absolutely genius to be able to design such a method at that time, and such a ripped-off reasoning also made many novels and movies after the filming develop according to this structure.

  • Wayne 2022-03-26 09:01:04

    If I had heard the last "I don't really love you" I would have shot. A crime film that tells you who the murderer is from the first shot, and it can be so enduring, depends on the wonderful dialogue, the excellent acting, the combination of Billy Wilder and Raymond Chandler, the professionals of admiration and word of mouth. In fact, I mainly think the male lead is too pitiful.

Double Indemnity quotes

  • Edward S. Norton: There is a widespread feeling that just because a man has a large office, he must be an idiot.

  • Walter Neff: [Recurring line, spoken several times by both the principal characters Walter Neff and by Phyllis Dietrichson] "Right down the line" or "straight down the line".