The hallmark of shit is that it stinks - and this movie is the same, completely self-talking, stand-up comedy. The so-called Hollywood screenwriter level, oh, who has eaten shit? Who can talk about the feeling of eating shit?
The only thing that can be talked about is the question of what is going on with the so-called slander of women in black films. She's just as stupid as the comparable Miss Shanghai, and she's also very good at portraying the image of a vicious woman and the corresponding male hapless. Women are basically blondes and blue-eyed stunners - this is the color limit of black and white films. The young protagonist is either a stupid Dahan or a clever ghost who is clever but mistaken. This film belongs to the latter, and the male protagonist in Miss Shanghai is the former. oh man, how unbalanced, how dark, how immature is your heart? !
The problem lies here. Imaginary, full of emotional and tendentious psychological suggestion... In short, it is the aftermath of the magic bullet theory on the big screen. This is also the internal cause of the collapse of the studio system.
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