There are no major audio-visual features. The camera under the office building is quite modern, and several scenes use commentary to transition. It is the first time to use sound for a silent film after a long time. I am very excited. Wikipedia says that the whistle is the biggest in this film. but I think it is quite novel to use objective lens to portray the hunted murderer as the victim. The audience is not on the attacking (searching) side by the camera, but stands on the attacking side, so when they see the murderer being hunted It's interesting to grit your teeth for fear that the righteous side will not be able to find it, but also mixed with a little nervousness of being murdered because you are in the same space as the murderer and waiting to be arrested, that is, the self attacked by the image substituted into the moral self.
Anyway, in general, the few burdens in the plot were all shaken out by the film itself, resulting in the plot being too loose and not exciting and not good-looking.
In the final trial scene, the attack on the weak government catered to the Nazis at the time. In the middle, a lawyer with a pair of eyes was used to read out the views of democracy, and the intention was not bad. Finally, the tearful mother's sentence "Be careful of the child, everyone wants it." Rationalizing hatred, the film is obviously biased in its own creation.
In fact, the moral judgment of the last scene is a very complicated issue. Although the film has already played a guiding role, it now seems that those haters are still more or less irrational.
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