Yang Xiaolin: The 81st issue of the "Movie Eyes" new film rating list. Short review.
The father's love is like a mountain, and the firm and persistent father lost his wife in middle age. Palm lost contact, and his father was in madness and anxiety, and turned into a wise Holmes and Poirot in the works of "Queen of Detectives" Agatha Christie. The truth, insight and epiphany of the truth, uncover the true murderer, and finally save his beloved daughter. The mother's love is like the sea, and the detective who loves and spoils like water. The mother spoils her son and harms her son. The conspiracy and mysteries are finally exposed, and they become a picture cake and a laughing stock. When telling a confusing detective story, the film uses a positive and a negative, a bright and a dark family to sway the different weapons, and cleverly implants the problems of children's education and the growth of teenagers, showing the good and dispelling the evil, and making a sound of the wind. Misfortunes and evils accumulate, and blessings are good for celebration. As a father and a mother, you should think carefully and choose carefully, as a good lesson.
The film uses software interface, video screenshots, and voice messages as the main components of images and sounds, forming an audio-visual language style that is both familiar and unfamiliar to the "Net Generation Generation". Taking the online information search tool as the absolute means of deduction and detection, the exploration of the secluded in the shadows, through social software and online information, intellectual surfing, ripping off the cocoon in the voice messages and video fragments, and breaking into the bottle, this is in the history of world cinema. It's an unprecedented first time. This unconventional editing composition and innovative narrative method have refreshed the fans of suspense films who think they are "experienced" and addicted to it. In the era of "no network, no life", the creators have truly kept pace with the times, and the wisdom and courage to lead the trend are convincing.
The film's suspenseful settings and foreshadowing are intricately linked, the "playing eyes" are exquisitely controlled, the delaying skills are perfect, and the misguided guidance and multiple reversals are grass snakes and gray lines, which are both unexpected and reasonable. The 102-minute story has no branches or sprawls, the rhythm is relaxed and the rhythm is relaxed and the rhythm is relaxed, retractable and easy, like a master acrobat, flickering in the extremely dangerous and dangerous places, showing the graceful and complacent atmosphere.
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