Using live broadcast to reshape the reality of the visual senses in the false reality, the father's reflection when the daughter was dragged up from the canyon was really powerful. It was not a dramatic conflict, but a real sensory stimulation. Inexplicably reminds me of the kind of "mimicry truth" that Lou Ye tried his best to create in "Lan Xin Grand Theater". When the father learned that the daughter was still saved, the camera did not cut to the father or anyone, and used the turning of the vehicle to express it. This expression method is essentially dragging the real audience into the fake live TV audience. In the field, through this sense of presence and participation, the psychological expectation was pushed into the atmosphere of the group, which made my blood boil. I don't know if it's because the actor is Asian, or if the lead actor looks like Tony Leung, it seems easier to empathize. At the same time, I don't know if it is because of cultural differences. After watching this movie, the feeling of father's love is actually very weak. What shocked me is more of a pursuit and belief, which makes me feel that if the relationship between the characters is Turning into friendship or love seems to have the same shocking power.
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