I am not a fan of Director Park Chan-wook. I have not even watched his award-winning work "Old Boy". I know the subject matter but don't like it. I also believe that his film ability will be better than in the early days. I have only seen four of his works. "Common Security Area" is a successful commercial film. Although I don’t like it in some places, I admit that Park has good control in this film; "Robot Love" is not interesting. ; "The Kindly Gold"'s gorgeous dazzling skills made me look down, and I finished watching it just to watch Shen Hajun's cameo; there is also this "I Want Revenge". This early work is much calmer than the later "Golden", but it is still violent. There were such genres in the early stage of movies. There are more B-level movies, and even cult movies have developed. However, in Korea in the past two decades, it is an important movie genre. I think this and the over-emotionalization of Korean dramas are two sides of the same thing. Although South Korea had works directed by Kim Ki-young in the 1960s and 1970s, the recent generations of Park Chan-wook, Bong Joon-ho, and Kim Ji-woon all have similar styles. I haven’t seen Bong Joon-ho’s works. Compared with the director, I admire Kim Ki-deok, who was a few years earlier than Park, and he is more powerful. I don't mean violence, but insight and expressiveness. "I Want Revenge" has the background of the times, which is slightly different from the common theme of South Korean movies such as being oppressed, aggression, national division, and class distinction. The background here is economic depression, and there are also ordinary people being deceived, but it is not an inevitable decisive factor. , There are omissions, accidents and extremes in the film. The background of this era is not permeating the air and hearts of the film. For example, "The World of Senses" only briefly inserts a point of time in the second half of the film, but it makes people feel that it is so. The film is also less emotional. Korean directors born in the 1960s and later have watched some Hong Kong movies. First, Zhang Che, then Zhang Che’s disciple Wu Yusen. It is said that Park Chan Wook likes Zhang Che. Zhang Che is called "the master of tomato sauce." There are bloody scenes such as the intestines war. People nowadays will inevitably feel that the productions of the set of the year are simplistic. Zhang Che himself sometimes does not care. I never take it seriously when I see these bloody scenes, but I often watch it with laughter and scolding, even When I was impatient, he would always be moved by him, saying "I love Zhang Che" in my heart. Even in terms of technique, I admit that he used the lens in this film naturally and without traces. Fortunately, the color tone has not been adjusted and it is now naturally bright. It makes people feel that in this world, under the blue sky and white sun, everything is It happened. Although Park Chan-wook was born in philosophy, he worked on the set when he was in school because he was not interested in philosophy. He also watched many movies, but he still felt that he had only filmed one movie "Black Coffee Shop", the film critic Zheng Shengyi shots The sense and rhythm are better. Fortunately, the drama is At the moment, as long as the actor's performance is convincing, the scene can be watched. I think the basic skills of a good actor are better. This sounds vulgar, but I really haven't seen many actors who make me admire his skills. I don't watch dramas very much, because I don't know what to watch. I won't sit in the audience for two hours over a so-called theme. I have also watched some well-known actors’ plays, and I don’t think the lines and body language are so remarkable. What’s worse is the interpretation of the characters. Don’t think that the classic plays and the classic characters themselves have become classics. The more classic the more classics. Difficult, but some people are still himself on stage. So I still watch Chinese operas. Even if the actors are less talented, they can still watch the singing program if they are decent. But now some opera actors only understand the so-called Western-style characterization, and the programming is lost. I have watched the same drama, and the Wu Sheng back then deleted all the hard work. The 70-year-old gentleman gave a stern look on the stage. , There are niches who are not good enough to dare to play Lingzi Opera on stage. In fact, even if it is a literary opera, you will know if you have any knowledge as soon as you move. Film and television can also be re-created, but it is not on stage. It needs more knowledge and stability. If there is any problem, the audience can see it more clearly. When the weaknesses of certain actors are clearly seen in the audience, what about this scene? Look inside. Just looking at the photos of Mr. Shen Hejun in recent years, or a random performance, you can know that his body language is good, he has received professional training and has been tempered. If he will be on the stage again, I would be very willing to go to Korea to watch it. A good actor will be breathtaking on stage. Although I basically don't understand Korean, I certainly hope to have Chinese or English subtitles. When I traveled to South Korea, my companion insisted on going to watch "Nanta", so I had to follow it. Both of them were disappointed when they saw it. Of course, it was a work for tourists. I would rather go to Pansori, which I don’t understand, but the schedule was too tight. It is interesting to look back at the work of an outstanding mature actor when he was young. The second time I watched "Common Security Area", I discovered that the little soldier from North Korea was played by Shin Ha Kyun, although I had already watched his "Man Going to Mars" and "Impersonal Man" the first time. Looking at this work, he felt that his performance was very natural, so naturally he hid himself in that role. "I Want Revenge" is a more important character, a young man who is worse than ordinary, disabled and impoverished, but after all, he still has youth and heart. It doesn't matter if he can't speak, he has clear eyes and meticulous expressions, and his joy, disappointment, anger, and distress for his relatives can be empathized; he also has himself turned on his back at night, with sharp brows; at ease with lovers; After being deceived, the grievance and helplessness; but still alive, still have to face problems, and can argue with lovers, with a face Paying a look of disapproval; I got the money and returned home, happy that the problem would be solved, watched cartoons with the kidnapped little girl, his eyes slipped, naughty snatched the remote control to switch channels, played with the little girl, and was kidnapped. The girl was riding on her body and bending her legs happily so that the little girl could watch TV on her stomach. This was the happiest moment. Although it was tragedy that followed, her voice was only a howling and her expression became more and more sluggish; Lovers can still be comforted, rejoiced, and throbbing. The moment after satisfaction, the face is quiet, but full of smiles, as if the eyelashes are smiling, the eyebrows are refreshing to the temple, and a pair of red and phoenix eyes are black and white. distinct. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. The problem will be solved and I am happy. Watching cartoons with the kidnapped little girl, his eyes flicked, naughty snatching the remote control to change channels, playing with the little girl, being rided on by the little girl, and happily bending her legs to make her The girl is so happy to watch TV on her stomach. This is the most joyful moment. Although the next is tragedy, her voice is only wailing and her expression is getting more and more sluggish; but she can still be comforted in the lover's place, can be happy, and can Throbbing, the moment after satisfaction, the face was quiet, but it was full of smiles, as if the eyelashes were smiling, the eyebrows were comfortable, and the eyes were black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake in June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. The problem will be solved and I am happy. Watching cartoons with the kidnapped little girl, his eyes flicked, naughty snatching the remote control to change channels, playing with the little girl, being rided on by the little girl, and happily bending her legs to make her The girl is so happy to watch TV on her stomach. This is the most joyful moment. Although the next is tragedy, her voice is only wailing and her expression is getting more and more sluggish; but she can still be comforted in the lover's place, can be happy, and can Throbbing, the moment after satisfaction, the face was quiet, but it was full of smiles, as if the eyelashes were smiling, the eyebrows were comfortable, and the eyes were black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. On stage, playing with the little girl, being ridden by the little girl, and bending her legs happily so that the little girl can watch TV on her stomach, this is the most joyful moment, although the tragedy is next, the sound is only tragedy. Howl, his expression is getting more and more sluggish; but he can still be comforted in the lover's place, and can be joyful, and throbbing. The moment after satisfaction, the face is quiet, but it is full of smiles, as if the eyelashes are smiling, The eyebrows were comfortable in the temples, and when he opened his eyes, a pair of pill and phoenix eyes were black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the closing shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. On stage, playing with the little girl, being ridden by the little girl, and bending her legs happily so that the little girl can watch TV on her stomach, this is the most joyful moment, although the tragedy is next, the sound is only tragedy. Howl, his expression is getting more and more sluggish; but he can still be comforted in the lover's place, and can be joyful, and throbbing. The moment after satisfaction, the face is quiet, but it is full of smiles, as if the eyelashes are smiling, The eyebrows were comfortable in the temples, and when he opened his eyes, a pair of pill and phoenix eyes were black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. The more sluggish; can still be comforted at the lover's place, can be rejoiced, and can throb, the moment after satisfaction, the face is quiet, but full of smiles, as if the eyelashes are smiling, the eyebrows are soothing, one Open eyes, a pair of Danfeng eyes are black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che’s "Vengeance." Although his style is different, under Zhang Che’s romanticism, Jiang David is a dagger-like young man, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. The more sluggish; can still be comforted at the lover's place, can be rejoiced, and can throb, the moment after satisfaction, the face is quiet, but full of smiles, as if the eyelashes are smiling, the eyebrows are soothing, one Open eyes, a pair of Danfeng eyes are black and white. I think this passage is very natural and delicate. When Lee Ang said "Sex is the ultimate drama" when filming "Lust Caution", Zhang Ailing said: "I think that when people are in love, they are more simple than in wars and revolutions. It's also more unrestrained." How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. How to grasp the flying side of life in simplicity, I think that kind of feeling cannot be guided by the director. Even with the guidance, those details are not naturally presented by all actors. This kind of scene is embarrassing, but it is also difficult to shoot. In "The World of Senses", it is straightforward and bold, but it is also rare to present a feeling of indulgence. Seeing "Tetsuo" and "Snake of June" directed by Shinya Tsukamoto, I understand what the director wants to show, but the actors behave strangely and only find it ridiculous. A good actor needs to be able to express emotions. Of course, the love scene is a particularly emotional part. Okay, I admit that being defeated by Actor Shin was the first kiss scene in "Everything I'm in Love". It is a middle-aged man with eyebrows and eyes, but stretched into his heart. When the heroine kissed back, his posture drifted backwards, like a lotus in the wind, moving in his heart and body. Going back to "I Want Revenge", his performance during the revenge process is very measured. Fortunately, the director did not directly shoot some content that is too inhuman, but only used the ending shot to bring it, but I don't think it is necessary to imply this. Excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. His performance in the revenge process was very measured. Fortunately, the director didn't directly shoot some content that was too inhuman, but only used the closing shot to bring it, but I also don't think it is necessary to imply such excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che's "Vengeance". Although his style is different, under Zhang Che's romanticism, Jiang David is a young man like a dagger, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality. His performance in the revenge process was very measured. Fortunately, the director didn't directly shoot some content that was too inhuman, but only used the closing shot to bring it, but I also don't think it is necessary to imply such excessive extreme behavior. Of course, what is even more moving is that in the elevator, he was obsessed with his dead lover, pulling her hand with his hand, as if she was still alive; and in the pool, he was as frightened as a chicken that would only be killed, but still wanted to To wipe the tears of the murderer. This role reminds me of David Jiang in Zhang Che’s "Vengeance." Although his style is different, under Zhang Che’s romanticism, Jiang David is a dagger-like young man, falling from a tree like a fallen leaf. He was harsh but wronged when he killed people. like a child. After more than ten years, Yi Shu never forgets: "David Jiang's posture was unprecedented, everything is beautiful." And Shen Hejun played an ordinary young man in a restrained and natural way, living in a cruel reality.
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