The film reflects reality, a person's freedom is shackled, and then it keeps giving you hope, giving you despair, and giving you a little reward when you become the person they need, or give you a little reward, or put your original thought You'll be grateful if the shackles on you are released, even if they cut you down once.
Your personal strength is too small, and you have to look outside for help. At this time, you no longer have a part of people who need profitable things, and this part of people will leave you and want to help? Your life is not worth much in the eyes of these people... There are other people, they love you, but they are basically ordinary people who have no money, no power, can't help, and even become A kind of entanglement, controlled by those who hurt you, controlled by the thoughts of the system, to threaten your safety, just like the kidnapper in the film uses the male protagonist's wife to ask him to cut his fingers.
People who are trapped in darkness, long for hope, but often can't hold on until rescue comes.
If I were the male protagonist, maybe it would be better if I fell asleep and simply died in my unknowing, silent sleep.
But human nature is to "work to death"
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[shooting]
The original purpose of shooting should be to achieve "in a limited space, show Unlimited emotional associations", but I always felt that something was missing from the beginning to the end, which was related to the narrow space and the limitation of actors.
But imperfection is always the norm, and there are enough bold expressions, of course, there are things to appreciate. The
director did not express comprehensive things, didn't it just give the audience space for association?
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