Desica's work has been called a classic of neorealism by critics. Judging from the movie screen, there is almost no skill at all, and the performance is also in a pure natural state, close to a documentary. I've tried to find some metaphysical content from this film, but to no avail. After the war, the city that was in ruins, the civilians who were waiting to be fed, and the bitter hatred of car theft caused by it - at most, a picture of Roman beings, these contents could not afford the rich literary and artistic connotations.
However, as a sketch of a national character, it is very predictable. Lotte An Ming cultivates cowardice, cowardice leads to panic, panic causes loss of control, and loss of control makes life more traumatized. This is the evolution of the protagonist's state in the two days described in the film. We don't see active rebuilding and busy work. Instead, the church is crowded, car thieves are thriving, and the ball game is in full swing. They seem too calm. Desica's camera language is full of sympathy for that era, the scene of encountering a thief, Antonio's cowardly performance, in any case, can't be justified. Fortunately, in this film, he is also in the employment agency, in the police. Bureau, in the fortune-telling aunt's one-stop attitude to the end to pave the way. - But is he wrong? When the entire nation is continuing the habit of mouth war that has fallen since ancient Roman times, when the education and social environment cannot have the positive impact it should have on the next generation represented by Bruno, the tragedy is already doomed.
Film is not only a stylish combination of sound and picture skills, but also an excellent teaching material for history and culture, and most importantly, it also provides alternative perspectives and side descriptions that textbooks cannot stand on. In the impression that in the economic wave after World War II, Italy ranked after Japan and Germany, this film may be able to give a reference from one side.
So on the court, everything became so natural, no surprise. Italians have never lacked inspiration, their history, culture and art have profound heritage, and they have never lacked football superstars. No matter how bright he is alone, the whole Baggio era of the Italian team is still a tragedy. By the time of Totti, we have become accustomed to tragedy. Entering the post-Totti era in 2006, we saw the courage of a scandal-ridden Italy, and we won, it's that simple. Today, 4 years later, the decline of their national team is much faster than their national league level. It should have been an opportunity to make a name for themselves, but it was ruined by their own default strength. This default flow is really too terrifying.
A
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