Two brushes

Dominic 2022-04-19 09:01:48

The first seven minutes of the film are very exciting. In the form of cross-space dialogue, the lines of the protagonists with different styles are drawn into a whole continuous story background, but everyone's words are warning in the face... In fact, there are many lines in the first part of the whole film. They are all buried in the face foreshadowing...

Black affirmative action in the 1960s went from peace to violence

The main line also adopts the method of parallel editing of the story line inside the court and outside the court, with a compact rhythm and a full plot.

Here is also the ingenious arrangement of lines through jcut's transition to form a "cross-time and space" dialogue, with obvious irony
I especially like Abby's blurted jokes

The scene of Bill's mock interrogation was very well shot, the music cut into the rendering, the aggressive interrogation, the constant switching of black and white films, the film also reached a climax here, (the lawyer and Abby's scene is especially like the real-time off-site commentary of various channels. Riot scene), the ups and downs of this music effect are very nice

The last sentence is really refreshing, but it also successfully shaped a film business card

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Extended Reading
  • Raina 2022-04-24 07:01:05

    Pure dialogue action movie.

  • Wilbert 2022-03-24 09:01:43

    Sorkin is quite a chicken thief. Finally, he found a balance point and made a balance. He separated the injustice of justice and the facts of his behavior to complete the moral premise of the story.

The Trial of the Chicago 7 quotes

  • Abbie Hoffman: [to Dave, Jerry , Rennie, Daphne and their supporters about the crowd behind them] Keep 'em movin'. Dave and I are gonna to stay and make Tom's bail.

    Rennie Davis: [shouting to the crowd] Back to the park.

    Abbie Hoffman: [quietly to Dave] I don't carry money, do you?

    David Dellinger: I do. I'm a grown man.

  • [last lines]

    Crowd: [voice over, shouting] "The whole world is watching."