The world is infinite: sadness flows freely under the white clouds

Darby 2021-12-31 08:03:07

Under the white clouds, sorrow is flowing wantonly. Unstoppable, the rivers of the times are surging away. What is left now is the wreckage of time that the stormy waves have broken away.



"Heaven and Earth" as a western film is actually an anti-western film in the form of a western film. It is more like an elegy to mourn the time in the West. Therefore, "Heaven and Earth" is very lyrical, and the rhythm is very slow. It seems that the faster rhythm is not enough to express the inner emotions, so that it penetrates into the hearts of the people. With pictures and slight plots, the inner feelings of the characters in the story are shaken little by little. Come out, I can't bear to explain it all, just shaking, shaking a little, pulling out a little bit.



The story in "Unlimited Heaven and Earth" took place in 1882. At this time, the westward movement in American history had already taken effect. A large number of Borderlands had their own masters. Those who could let the cowboys The natural borders of "the ocean is wide and the fish leap, and the sky is high, the birds fly" have become less and less, and the era of cowboys has passed. The conflict in life between cowboys and the settled people, because of the intersection of life boundaries, has become more and more serious and more and more incompatible. For cowboys, they advocate a natural, free, unfettered, and unfettered lifestyle, while settlers began to abide by rules, obey norms, and pay more attention to hygiene habits and other more modern lifestyles. At the same time, because of the dense population And become a by-product of cunning, greedy, insidious, and slavery. Among them, the conflict between freedom and rules is the biggest conflict between cowboys and settlers. But with the end of the Westward Movement, complete freedom has become less and less visible. The elegy of "Heaven and Earth" is such a tragic song. It not only sings the cowboys' pursuit of freedom, but also portrays the lifestyle and inner world of their group in detail. As the Boss Spearman, because of the death of his wife, he chose to exile himself and slowly licked his wounds in the vast west of the vast grassland, while his main assistant Charlie was facing his own life because of the drift of life. When true love is too slow to confess, hesitates. Other cowboys, such as the young Button, were abandoned since childhood and were saved by Spearman and others to raise him. Although Mose is a tall man, he is docile and courteous. It's just such a group of people, they are driving the herd, and they don't want to influence others, they just want to graze well and live a free and happy life. But Baxter, the settler, contacted the town sheriff and wanted to take all Spearman's cattle and kill Spearman and others. As the first settlers, they are far from abiding by democratic rules, and the evil in their hearts is the first to breed. So the confrontation between Spearman and Charlie and Baxter is inevitable.



In 1882, the barbaric era was over, and modern civilization had not yet been established. Just like the current China, the barbaric Cultural Revolution has ended, but the civil society in the modern market has not yet been established, so intrigues and kidnappings are rampant in the world. It is somewhat similar to the time in "Unlimited Heaven and Earth". However, the pursuit of primitive freedom by Spearman and Charlie still exists, just as the people first thought of disaster relief in the face of an earthquake. The primitive simplicity is still there, but we rarely have representatives like Spearman and Charlie stand up. , Use their bravery and persistence to speak for the simple emotions of human beings.



The tragedy of "Unlimited Heaven and Earth" is the greatest tribute to past Western films. It is also the best Western since "Unforgivable". Both "Heaven and Earth" and "Unforgivable" are summaries of Western films. The paradox is that the stories of both happened at the same time. The story in "Heaven and Earth" took place in 1882, and the story in "Unforgivable" took place in 1880. It's time for the Western Cowboys to decline. In addition to these two wonderful westerns, so far, as a genre, there are very few excellent westerns. A few of them are like "The Battle of Yuma Town", "Zorro's Mask", "Legend of Zorro", "Liberated Jiang Ge" and so on. Others like "Old Nowhere" have shadows of westerns, and " "Brokeback Mountain" is more like a romance film than a "Western".



"Unlimited Heaven and Earth" is a tragic song, and another layer lies in the director Kevin Costner, who became the master director with "Dancing Without Wolves". However, in the following "Future Water World" and "The Postman", he broke his head, and another "Unlimited Heaven and Earth" failed to restore his due reputation. Although the films he directed are not so ugly and the artistry is not bad, his destiny is to make a joke for him, cruel jokes, which made him unable to really cheer himself up in art for many years. And this very good "Heaven and Earth" has also become the last film he directed. There has been no new production in the past 10 years, and I don't know if he can bring up his guide tube again. Such sorrow adds a layer of off-site meaning to "Unlimited Heaven and Earth", and it is even more tragic. Alas!

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Extended Reading
  • Consuelo 2022-04-24 07:01:15

    Typical western with a good ending and a melodious soundtrack

  • Meagan 2022-04-20 09:01:55

    Ah~~~ Grandpa boss didn't die in the end! very nice! I'm going to see Dances with Wolves!

Open Range quotes

  • Boss Spearman: Much obliged to you, ma'am.

    Sue Barlow: You're very welcome, Mr. Spearman.

    Charley Waite: Thank you, Sue.

    [Boss and Charley walk towards town]

    Sue Barlow: Take care of yourself, Charley.

    Boss Spearman: Are you just gonna go off like that without saying nothing?

    Charley Waite: Ain't nothing to say.

    Boss Spearman: I seen how you look at that gal and the way she looks at you. It ain't right to walk away without a word.

    Charley Waite: What do you want me to tell her, Boss? We probably ain't gonna make it? Be a big fat comfort.

    Boss Spearman: I don't know what you should tell her, Charley. I wish I'd have said more to my wife before she passed. This may be the last time she sees you in this world, Charley. Or you her. So tell her whatever you can. 'Cause she's entitled to more than just your backside walking away.

    [Charley returns to the house and knocks on the door, Sue opens the door]

    Sue Barlow: Charley.

    Charley Waite: I'm not sure what's worth saying or not.

    Sue Barlow: Well, you don't have to say anything.

    Charley Waite: Yeah, I do. Boss is right about that. He's right about a lot of things. It's just... I'm not who you think I am, Sue. I've... been places. I've done things. Most of them, I'm not proud of.

    Sue Barlow: You know, I always hoped somebody gentle and caring might come along. Years pass. A small town and all. And your hopes begin to fade a little every day until you hardly remember what they were. I've seen who you are, Charley. The way you looked after that boy and the respect you give Boss. It might be little bits. But they're enough for a woman who looks.

    Charley Waite: Men are gonna get killed here today, Sue. And I'm gonna kill them. You understand that?

    Sue Barlow: Yes. I want you to have this. It's always brought me luck.

    Charley Waite: I... can't take your locket.

    Sue Barlow: It's not your choice when it's a gift.

    Charley Waite: It's a good likeness of you.

    Sue Barlow: It's my mother when she was young.

    Charley Waite: She's beautiful. I want you to know that if I don't ever see you again that I meant everything I said to you and I appreciate everything you said to me. Ain't nothing that happened in this old town been a surprise. Except you.

    [Charley walks toward town]

    Sue Barlow: I'll be seeing you, Charley Waite.

    Charley Waite: [Charley speaks to Boss sarcastically] Happy?

    Boss Spearman: Yeah. If you are.

  • Boss Spearman: Charley.

    Charley Waite: You two wait here.

    Boss Spearman: Hold on, there, Charley. Hold on.

    Charley Waite: I ain't looking over my shoulder the rest of my days.

    Boss Spearman: Charley.

    Charley Waite: You said we was gonna kill them all. I aim to do just that.

    Boss Spearman: I meant kill them. Not murder them.

    Charley Waite: Splitting hairs, ain't you, Boss?

    Tom: Mister, I heard what you said. I won't come after you. I promise.

    Charley Waite: No, I expect you won't.

    Boss Spearman: [Boss steps between Charley and Tom] I ain't gonna let you do it, Charley. You do this, you ain't no different than Poole or Baxter or that gunhand of his that murdered Mose.

    Charley Waite: Him killing Mose is how this started.

    Boss Spearman: We come for justice, not vengeance. Them is two different things.

    Charley Waite: Not today, they ain't. Step aside!

    Percy: [Percy joins Boss between Charley and Tom] Listen to him, son. You done what you had to here because they give you no choice. Don't go making this into something bad.

    Boss Spearman: This ain't the way, pard.

    Tom: [Tom speaking to Boss] Mister, thank you. Thank you.

    Boss Spearman: Didn't do it for you, boy. Just make peace with your bad deeds.