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Rosemarie 2022-03-23 09:01:40

The 1975 film is still a level that cannot be surpassed by Chinese historical themes. Not only the indoor candlelight photography, but also the insight into the world and people's hearts. The restoration of the historical scenes of the full scene and the meticulousness of the costumes are no longer a test of filmmakers, but a test of a country's attitude towards cultural heritage. It's easy to shoot "flying" historical subjects, but it's really difficult to shoot really. The only regret is that the male protagonist's eyes are too pure and do not show the complexity of the characters after their depravity.

Eileen 2022-03-22 09:01:35

#DocumentaryPhoto# The film is over three hours long but does not feel redundant. It is divided into two parts. The first part tells the history of Raymond Barry's fortune, and the second part tells how he came to a tragic ending. The life legend of the poor boy of the ghost horse can always resonate, such as Mr. Jin Yong's "The Deer". In terms of appearance, Kubrick's masterpiece is comparable to Bergman's "Fanny and Alexander". A frame is like a classical oil painting, and the soundtrack that integrates classical and modern comes one after another, and Kubrick's multi-faceted diversity is also vividly reflected in the film. He never repeats himself, but he is able to play with ease in any kind of film and shoot a shocking masterpiece. "Barry Lyndon" has long surpassed the shackles of traditional biopics, and has discovered a new artistic world between absurdity and strangeness. It can be said that "Barry Lyndon" is an anti-traditional and non-mainstream biopic, and sincere As the ending subtitle says, it is only the people and things of a specific historical period. As time passes by, no matter the beauty, the ugly, the good or the evil, or the poor and the poor, they will all be treated equally by history. And this may be Kubrick's view of history and life, right?