Barry Lyndon--Cross-Era Memories In This Movie

Tyson 2022-03-21 09:01:41

#rhythm# has obvious rhythm rules in the use of audio-visual elements. First watch it with the sound on, then watch it with the sound off, and carefully appreciate the rhythm between the picture and the editing. First, I shoot close-ups of the characters, and then gradually zoom out to make the characters smaller, and the surrounding environment and scenes become very prominent. It is also widely used to express love and war, which has become a major feature of the film's photographic language. The repeated alternations and contrasts between the characters in the foreground and the background that determines all their actions are all over the film, lover's trysts and public duels, private intrigues and blatant frauds in casinos.

Tyson 2022-03-24 09:01:37

1. Restore the classical style to perfection. Visually, each shot is like a painting by Fragonard, Watteau, Consborough, and the pastoral part is in the style of Claude Lorrain. Musically, Handel and Schubert's two songs are used superbly. The theme is one of the most classic themes of 18th and 19th century literature: disillusionment. 2. In order to capture the real vision in the candlelit castle in the 18th century, Lao Ku insisted on shooting in natural light. For this purpose, he acquired a 50mm f0.7 lens and two specially made 75mm and 30mm lenses, and took slow zoom shooting. , successfully created a gorgeous hazy visual sense. It is said that the photographer of "Mozart" tried to borrow this lens from Lao Ku, but Lao Ku refused. 3. Lao Ku initially took a fancy to "Vanity Fair". It is said that the reason why he chose Thackeray's novella adaptation was that he found that "Vanity Fair" was too wrapped up in 3 hours to explain clearly. But I seriously doubt that it is because he can't make a big heroine and a straight man quit. 4. One of my favorite Kubrick movies, if only he had made Napoleon out.