funny superhero

Bruce Lee, who traveled across the ocean in the 1960s, played the role of "Kato" with his excellent martial arts fighting, which not only made him a successful foothold in Hollywood, but also proved to the American audience who admired "muscle superheroes" that "folk mashup organizations" can also be like Superheroes like Batman and Spiderman. Half of the century has passed, and the master is reminiscent of it. In Judd Apatow's sexual comedy, the Hollywood newcomers who play meaty jokes and quickly become popular, and the music wizards who can't speak clearly and play cool, take over the predecessors and reshape the classics. Pretending to be cute and foolish, subverting the traditional mixed high-tech and hot special effects, although it is not a high-quality movie, it is a superhero movie with a powerful laugh.
The rich second generation, who only relied on idleness and making troubles for fun, turned into a superhero on the grounds of finding out the truth about his father's death. The regular jokes of "Fat Man with a Fat Face" not only turned the audience over, but also completely subverted the unsmiling screen image of "The Green Hornet" because of his mischievous, timid and lack of heart character. Therefore, it is not surprising that "the protagonist makes dreams, and the partner realizes dreams" has become an alternative feature of "The Green Hornet" that distinguishes it from other superheroes. If Bruce Lee's version of "Kato" used dazzling volleyball kicks to let Hollywood see the essence of Oriental martial arts, Jay Chou used "martial arts gimmicks, acting cool and powerful" as his Hollywood debut to "enhance strengths and avoid weaknesses". "Twenty-eight" hairstyles and the "Zhou's label" with unclear words, a cup of cappuccino made by a master shows low-key gorgeousness; a "black beauty" that combines multiple machine guns, needle-piercing missiles, and flamethrowers The shocking debut makes the audience temporarily forget the master and enjoy the visual gluttony brought by the mechanical genius; the robot vision of "threat positioning" is not inferior to the lethal lethality of the volley round kick; It is to let Jay Chou enjoy the pleasure of acting cool and punishing evil at the same time. Even if he encounters the embarrassment of vague and broken English, his good piano keys and basketball show will not affect the secret joy of falling in love with Cameron Diaz, a veteran Hollywood beauty. And the gangster played by Oscar Best Supporting Actor Christopher Waltz still exudes the aura of the evil charm of "Inglourious Basterds", seemingly cold-blooded and cruel, but with the neurotic creativity of "Blood Novsky" naive, a blood-red The windbreaker is no match for the nunchakus, and the spoof scene of "death before the apprenticeship" brings more sneers to the film.
The one-man, destructive superhero is the traditional savior that Hollywood has always favored. The Green Hornet, who organizes spontaneously, fights side by side, and displays their abilities, not only has a great book on subverting the image, but also punishes evil and promotes good with the unique combat concept of "has a good heart, and its sharpness breaks gold". This seems to tell the audience that "civil organizations" who play cool and tricks are about to become the new generation of superheroes on the screen.

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