This is a very attractive reasoning film about family affection, malice, conspiracy and revenge, and it is also a love letter to Keigo Higashino fans of "Malicious".
Both works are based on the perspective of a protagonist, propelled by his oral evidence, allowing you to constantly reverse and reverse between good and evil, truth and deception told in the first person. The narrator is the source of all this evidence. He can tell 100% falsehood, or 5% truth. He is smooth and bright on the surface, but behind the scenes there are ruthless truths and malicious motives.
When I first saw Keigo Higashino's "Malicious" , when the murderer was arrested and the case should have come to an end, the curtain was really lifted, the treacherous Rubik's Cube really began to turn, and the details of the hidden intentions had already been quietly buried inadvertently. What is invisible in "The Invisible Guest" is not the truth, but the human heart and human nature. Everyone's (a person's) evil thoughts are not on the surface, they (evil) are hidden under the iceberg, and we need to explore.
The male protagonist in the film is in the light, and his evil heart is revealed little by little in the repeated statements. Finally, with the bursting music, the heroine removes her disguise, and the male protagonist finally exposes his maliciousness. The whole film has ups and downs, and the music is exciting and bursting. It is a very good film.
In fact, the venom-like malice in the murderer's body stems from his greed and the annihilation of his conscience. Once discovered, his status and wealth will disappear. Maybe a scumbag, a selfish person, no matter what happens, the first thing is to guarantee himself, and even disdain murder. We must be wary of the cold, piercing malice of others in our lives.
Good and evil are rewarded, and the principle of heaven is clear.
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