I have also read "Fantasy Elf Incident Book" and "Charlie and the Chocolate Factory", but I always feel that this child is a little bit incapable of playing such an innocent boy. Probably because Heimer didn't have the noisy feeling of a child at all, and he always had a quiet and almost ethereal feeling. The light blue eyes revealed an insight into the world. It's a bit like the name.
So I have been looking forward to a director Xiang Zhong Haimer, acting a talented perverted prodigy, similar to "Joshua" and other films. But, the sky does not fulfill the wishes.
Finally, finally, the beautiful boy is back. . . Not only is there no long-term disability, but he has returned with a perverted identity. . . Ha ha. . From the first episode, the story line has not yet fully developed, but the director still handles the details of the screen, dialogue, and soundtrack very well, giving people an unspeakable and weird atmosphere. In short, it seems reasonable everywhere, but everywhere. It doesn't feel right.
Although the rhythm lacks a habitual sense of fear that makes people nervous and scalp numb, obviously the director is not playing this hand, but is bothering to create a kind of misty pretense, as if half-covered and drinking red wine. The mysterious allure of the inquiring woman is obvious.
What I am more worried about is that these abnormal mothers and sons start to show their teeth and claws, that is to say, the story will become relatively plain and pale when it enters the real stage of flesh and blood. . . Of course, I still have good thoughts to believe that the director has the ability to continue to seduce us and keep the suspense at a high level.
I have to talk about classmate Haimer. His body is so thin that he shrugs his shoulders. He seems to be a cowardly and flustered good boy who needs protection, but at certain moments he has to feel a terrifying calmness, in a noisy and unfamiliar party environment. The middle language was amazing, and when he threw the body with his mother, he recited the dialogue of "Jane Eyre" affectionately.
"I think people who are different do not know that they are different because there is no comparison object"
I hope that in this film, Haimer can show the fit between himself and this unique boy full of tension. Some stories are bad in nature, and some beauty can only erupt in this bad magma, to satisfy us. The deformed aesthetic of it. . . Ha ha. . It is acceptable to speak more heavily, as long as it is not as vulgar as the island country. (My mother's acting skills are not bad, forgive me for being lustful, I just ignored her...)
Returning to the boy Norman played by Heimer, removing the previous impression in "The Cry", this is a completely different era Boys of different ages and different atmospheres. In the opening movie Norman wakes up in his sleep, those cold and sharp eyes are very unforgettable, not to mention the strange posture when walking afterwards, this boy has the roots of evil in his heart, or is talented in doing evil, so he I will be attracted to dark things when I see that perverted little book later. This is in his blood. A common saying is: "Like mother, like son." In
terms of personality, he is very sensitive and slightly neurotic, complex and introverted, but on the other hand, he is completely adolescent and eager to blend in. In the new environment, I hate the suppression and restraint from my mother, and I have a subtle yearning for beautiful girls of the same age, and I also have a strong curiosity for new things.
This contradiction makes this drama more interesting. I believe that Norman eventually fell into the dark. In addition to the repressive dark side of his character caused by his mother’s deformed relationship, he must have gone through a process of entangled struggles and contradictions. This kind of psychology The level of excess is what I look forward to, especially in the opening chapter Norman has already shown his over-aged maturity, delicate and perceptual perspective and unique insight in his speech and behavior.
Watching an angel's body tear apart and the darkness slowly spreads from the inside out until it is submerged, in the melancholic light blue picture, in the classical ghostly music. . . Such a story is a kind of fear when it exists in reality, but it is more like an aesthetic when it exists in the image.
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