For the time being, let's put aside the question of "why everyone has to squeeze in a few minutes before the presentation to talk to Jobs". Sorkin's script is completely dazzling, Fa Shark's acting is bursting, and my personal preference is the relationship - this is a large number of fragments stacked in pieces, every line and every action is like a key that has fallen all the way, layer by layer. Pointing to a metaphor - there's no way I don't like this movie. ——Except for the part that ends with family affection, I feel that the turn is a little hard, but it is not so unacceptable, maybe I need to think about it again. The following two unprofessional thoughts: 1. After the baptism of Xiao Wan, Cook (Song to Song) and Jobs, as far as my shallow understanding is concerned, it is simply not necessary for Fa Shark to play such a bastard who is logically self-consistent and dangerously attractive. Too skilled! (← This is a compliment) 2. After knowing how locomotive Fa Shark can act as a locomotive, I went back to watch the scene of domestic violence on the DOFP plane. I was surprised to find that Xiao Wan was really moved by the little professor. It's different - you can see that he can be like that with a locomotive, but he is only like this with a locomotive! It's so earth-shattering, the winter thunder shakes the summer and the snow makes people cry, who wants to say that this is not true love, and I'm in a hurry! !
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