Pedophilia is a less-than-beautiful topic, and Lovely Bones chose to tell the story from the perspective of Suzy, a fourteen-year-old girl. Similar angles have been seen in "Room". They all have one thing in common. There is no emotional abyss that I "thought" and the collapse driven by hatred and unwillingness, and even tend to be flat. Suzy's soul came to reality and did one thing, kissed the boy she never had time to love, and the screen switched between the murderer's destruction of the corpse. The only person who cares about this dead and corrupted corpse is me, a 14-year-old. In the heart of the little girl, the love that has not yet sprouted is more important. I have to say that this was not what I was looking for as an "adult". Perhaps this is what the director is trying to express, it is not a weakening, what Susie kisses is her stagnant time, that she will never have a future life, she will never have this small and common happiness, in a different sense. This is more distressing than the hatred and unwillingness of precipitation and fermentation. (No, it is, I can't deceive myself QvQ) It is true that the narrative rhythm and somewhat surreal plot of this movie made me very anxious to find the murderer by telepathy, find the evidence and escape the first sister's home It was a prisoner who was moved by seeing his parents reunited (ah, I was so anxious), who escaped and died in an accident. Are you really messing with me, director of this arrangement? But the director's performance of the silent stalemate between Susie and the neighbors in the closed basement really pokes me, and my palms are sweating (this word is not appropriate, Susie is very weak at this time, but I don't care) Although this is not a film that fits The movie I was looking forward to, I even watched a little anxiously, but the portrayal of Susie is lovely, Susie is a good boy, a beautiful good boy ´_>`
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