failure to dwell on details

Keven 2022-04-22 07:01:08

The more referential elements, the easier the spread of risk makes the subject more likely to stabilize. But with a murder, it is never possible to predict which element will expose the crime and prevent it from going wrong. Too many variables and out of control. Back in life, a failed marriage may be more terrifying than dark murder because it breeds murder. The first time I saw a Hitchcock movie, it was never out of date. Masters always stand the test of time. Reasoning is really very interesting, but unfortunately a little timid.

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Extended Reading
  • Burdette 2022-03-23 09:01:40

    I like this one so much, the way I opened Xifa was wrong before. It's just a little brain-burning, and I can't keep up with the pause. The part where Wintons lingered at the door with the keys was great. The moment I opened the door, I was terrified for the murderer, waiting for the man to scream, but Winton was suave, congratulating the detective writer Gao Ming first, and congratulating the detective on his successful cracking of the case. That's it for the old movies, the murderers are so suave. Not like the ones now, dirty, ugly and perverted. It's just that this film can't pass the trial now. In essence, this is a story about Ximen Qing, Pan Jinlian and Wu Dutou, who jointly killed Wu Dalang.

  • Angel 2022-03-25 09:01:06

    I didn't read it under the middle word, but the master is the master, and I fully understand how to solve the case. The film festival will release the 3D version, hurry up to watch it and drag it until now to make a short review. It is not an action movie, but the 3D effect is more effective, creating the importance of key props, narrow and small The space is even more immersive because of 3D. The film is shot like a stage play, and the audience looks like sitting under the stage when watching 3D. higher...

Dial M for Murder quotes

  • Tony Wendice: How do you go about writing a detective story?

    Mark Halliday: Well, you forget detection and concentrate on crime. Crime's the thing. And then you imagine you're going to steal something or murder somebody.

    Tony Wendice: Oh, is that how you do it? It's interesting.

    Mark Halliday: Yes, I usually put myself in the criminal's shoes and then I keep asking myself, uh, what do I do next?

    Margot Mary Wendice: Do you really believe in the perfect murder?

    Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

    Tony Wendice: Oh? Why not?

    Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don't... always.

    Tony Wendice: Hmm.

    Mark Halliday: No, I'm afraid my murders would be something like my bridge: I'd make some stupid mistake and never realize it until I found everybody was looking at me.

  • Mark Halliday: [to Margot] Darling, I understand now, but that doesn't stop me from loving you.