Fortunately, I am a semi-idealist, and I feel that living completely rationally in modern times is a hint of despair. I was completely succumbed to this plot, and I was still giggling while watching the finale in the middle of the night, I'm not sick, I just have a heart. But I will never cry like a woman. In my opinion, a man crying like a little girl watching a happy end love movie should not be explained by his heart, at least his heart is not healthy.
The story line is very bizarre, so far we can't imagine that this situation will really happen, but the script is highly completed, which not only allows the audience to gradually accept this absurd story line, but also adds a Few elements worth discussing. Anyway, this book is great.
The photography is above average, but it is reasonable. If the lens arrangement is too gorgeous, it will make people feel hypocritical and exaggerated. Ordinary people match ordinary stories, and ordinary stories match ordinary entry points. I don't know too much professional photography knowledge, and I don't know the photography technology at that time as a reference, but through the picture, I can feel the photographer's own feelings for the picture, rather than just pursuing coolness, so it is also a masterpiece in terms of photography.
This film invited TOM HANKS, and MAG RYAN to star in the film, especially in line with my temperament. Both of them are actors I like, their acting skills are naturally not exaggerated, and they are born with a charming face. I don't know if the two had become famous at that time, but with such a high degree of completion of the script, even if the performance is deviated, it will not affect the overall perception.
I am the type of person who insists that the script is more important than the photography. As Feng Xiaogang said, more money should be invested in the script. Now the investment in actors and photography is ridiculously high. Now that the camera is driving the rhythm of the film, I like the rhythm of letting the camera follow the emotion of the script, and that script is the soul of the film.
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