The story begins with an unknown handsome guy who was chased and killed. He stupidly ran to the top of a clock tower by himself. There must be no way to escape. The handsome guy jumped off the roof and committed suicide.
At this time, Professor Langdon appeared, not because of this handsome guy, but because he woke up in a bed in an unknown hospital, with various tubes inserted into his body, and a gunshot wound on his head, which was caused by the gunshot wound on his head. The adverse reaction of the brain produces a large number of hallucinations, hallucinations are mainly visions of the hell of the world. And he can't remember the memory of the first 48 hours, that is, the first two days. At this time, a beautiful female doctor, the female pig's foot, came to comfort him and said that it doesn't matter that your memory will come back in two days. At this time he found himself in Florence, but still could not remember why he came to Florence.
Just when they were about to call the police, the police came by themselves. A policewoman directly killed a male doctor in the hospital. The heroine found out that something was wrong. It turned out that the policewoman also came to kill Professor Langdon.
The mysteries are huge, overpopulated, and the goals of action are huge, saving humanity, but all of these dilute the most valuable part of the series—the thrill of deciphering the mysteries embedded in art and history. Although it is still being deciphered, there are still masterpieces, cities and history, but a large part of it is splicing memories plus constant illusions, and whenever it is thought that they are trying to save mankind, the sense of suspense will be weakened.
Now that the virus has been researched, why don't you just find a water plant and invest in it? Why do you hide it so that you can't even find a place for your own people? You have to set up a trap to ask experts to decrypt it, and have a relationship with major scenic spots and historical sites. Literary and artistic youths are works.
TM actually wrapped the virus that could destroy the world in a small fresh-keeping bag and put it in water, and then thought about how to use a bomb to blow up the small fresh-keeping bag.
To create a virus and save all mankind, why do you want to do everything possible to get involved with Dante? He wants to release the virus, why not just release it? Why do you have to be found? I can't find the reason. Maybe the author likes Dante. It seems that he has to pull up a few famous novels, a few famous paintings, take a few museums, and visit all the major tourist attractions in Europe, so that the story seems compelling. , there are grades.
In the end, the brain-burning, suspenseful, and high-IQ crime scenes were successfully interpreted into a sightseeing blockbuster and farce.
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