It's embarrassing to watch~

Bryana 2022-04-22 07:01:22

After all, it's a special effects movie. I think the actors don't need too much salary, so after the whole movie, the actors didn't have many lines, and they were always in a state of awkward chatting. At the end, I didn't know the meaning of the actors' existence, that The little girl who can communicate with King Kong is still talking about the past. What are other people, such as another girl, Mettison, doing? Make up the number of people? In order to bring out the line of the group conspiracy "Mechanical Godzilla"? It feels superfluous.

In the end, I felt a little disappointed that Mecha Godzilla came out. I thought I could get another "Godzilla vs Mechanic Godzilla".

Needless to say about the overall special effects, yes, compared to the previous series, the fighting scenes of monsters have finally been improved, the lens is relatively sufficient, and the viewing effect is still good.

If you exclude the awkward chats of the actors, the whole movie is pretty good.

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Extended Reading
  • Lynn 2022-03-24 09:01:48

    The fate of mankind is none of my business, monsters, close-up thanks

  • Haven 2022-03-25 09:01:08

    1. It's completely screwed up. The only people who will make kingly monster films in the United States are probably De Fat and Edwards; 2. It doesn't have to be Teeter's filming techniques, and the performances are almost always wrong. Wingard may also be this time. It can only be regarded as a "performance". If you really want to copy the schedule of the second machine's war with the fish angel, you will simply copy it all. The Hong Kong war can even be used as a negative teaching material for a huge war. Let King Kong hold an axe is an extremely stupid setting. It worked; 3. The ugliest Drag-Ride in history, it looks like a big stapler, and the styling design also pulls the hips; 4. The polar Gnaku is a short-lived highlight, and the next "2001 Space Odyssey", but it's all in a flash Ephemeral; 5. Higuchi Shinji and Taguchi Kiyotaka may praise this work, even though they have absolutely crushing understanding and imagination, but Japan has no chance to make such a film now; 6. The failed script is very consistent The tonality of Japanese-style monster films is about the kind of playful stories of Godzilla movies in the middle and late Showa era; 7. Don't give Legend any chance to make an appointment in Dongbao; 8. This star is really what I want to give, Although the left side still lost to Po, but overall it really gave Godzilla face.

Godzilla vs. Kong quotes

  • Ilene Andrews: [an apex robot obtains a sample of hollow earth energy] What are you doing?

    Maia Simmons: Extracting a sample .

    Ilene Andrews: This is a power beyond our understanding. You can't just drill into it.

    Maia Simmons: Actually we can. My father gets what he wants. That's Alex property now.

    Ilene Andrews: What?

    Ren Serizawa: [from above at Apex cybernetics] energy signature incoming. We should be able to recreate it soon.

    Ilene Andrews: [to Maia] That is the discovery of the millennium. You can't strip it for parts.

    Maia Simmons: Hold it.

    [Apex soldiers hold guns on them]

  • Walter Simmons: [the upload is complete] Yes. Mr. Serizawa start your engines!

    Ren Serizawa: The upgrade is untested. Once we get online, Gojira will come straight for us.

    Walter Simmons: He's been coming for us since our creation first awoke. We must embrace it.

    Ren Serizawa: We shouldn't rush this. We have no idea how this energy source will affect the Mecha.

    Walter Simmons: Get in the goddamn chair.