1. Don't sell the 1970s as a nostalgic FATHION, think about how bad the 70s in Forrest Gump is.
This is really 100% 70's. You can't tell if it's a documentary or a movie. Art control is too strong.
2. Not tepid. Not too provocative. This heat is more accurate. Not the kind that makes your blood boil when you see it. There is not much discussion, but I try my best to describe the operation of one thing. Some people say that the director has always been concerned about individuals, how can he make a political film. I think this is in the same vein as his famous work "The Elephant". If you want to picture a person, picture how the person is devoted to his business. All other superfluous stuff is deleted. It naturally unfolds about his ideals, his character, and his various energies. . That's better than countless compliments and countless shots taken from upside down. But you have to have the ability to shoot like this. If I go to shoot, I can only do something sensational. Accidentally turned into a conspiracy and love. Or the textbook-style "he dedicated his life for the rights of mankind" to
direct another film "The Elephant". Actually it is. How did two teenagers kill. How to bring a gun to campus. Do not make other comments. Just shoot like that. What you're trying to say comes out behind the camera.
3. Sean Penn, familiar to our generation. 80's youth idol. Mai's ex-husband. She often tied Ms. Mai to a chair to play. In the past, he disappeared for a long time. I said he wouldn't disappear so easily. It's really time to call him the god of acting.
4. The gay flirts in it are really different. I don't remember seeing it in other gay films. So natural. Not very beautiful. Or there is always a monstrous other's vision.
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