He used half of his face to have a gay person possessed, and the trembling of his eyebrows and eyes made you unable to remember the one who used to be the one who used to shoot and punch Mrs. Mai; the performance was filled with tearing passion, and of course, he was more temperamental. So angry.
For the next hour and fifty-five minutes, you will still be amazed at the magic of this "possession".
Kevin Costner, Hugh Jackman, and even Al Pacino, they all have inherently different temperaments. Their performances more or less stimulate this temperament from different angles.
People like Sean Pan are different, they can hide their temperament in a role. Especially when he got carried away excitedly after the success of the opposition to Bill 6, it was definitely a true performance without any trace of performance, a true performance of a gay old man who had been defeated repeatedly. This kind of kung fu may only be available to Tom Hanks.
Abandoning yourself and becoming a whole new person may be the highest level an actor pursues. In this movie, except for his appearance, which makes people feel a bit like some bastard before, you can't see the rest. Although Mickey Rourke's self-destructing image is powerful, and he still has the prestige of the Golden Globe Award, he is not an opponent. After watching Milk, you will no longer feel sorry for him, he just met something more ruthless.
But it's not just him who is possessed. At the end of the movie, a clip of an actor is produced, and then the actual live-action photo is used to echo it. You can't tell which is the real historical figure and which is the actor in the play. The acting and make-up are so real, you don't feel like you're watching a movie, you're going through history.
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