The movie bridges are also cleverly and interestingly designed. The barber's waltz in The Great Dictator, the Dictator and the Globe Dance, exposes greed, and ends with a blast and that uplifting speech. The playful and joyful bread dance and igloo cliff in Gold Rush. The quilt turned into a coat in the book of finding a child and the immortal, the kicking of the child by the police, the tree man in the military book, the wisdom of regaining the wallet in the life of a dog, throwing bricks in the payday and so on. (Without an example, it’s about to become a spoiler.) In short, basically every film has a classic bridge that cannot be copied. Unlike other films, Monsieur Verdu is satirical and controversial. When I saw the end, I thought of Meursault, the protagonist of Camus's outsider. Although the priest repeatedly tried to confess the protagonist, the protagonists in both works rejected them with their own opinions. I want to say that human nature is selfish, morality is relative, and a guillotine cannot change a person. What makes a person is each day of the past.
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