The most striking thing about the work "Hero" is the use of color. Different colors in reality and memory, real and false, play multiple roles in expressing the environment, portraying characters and even symbols. The following is my personal understanding of the first movie viewing. In the first scene, Wuming enters the Qin Palace, the sky is dark, the city is gray, and the ministers in black are separated on both sides, but the road still has a dim white color. In the second scene, there is a confrontation between the sky and Wuming. In the end, he said that Qin belongs to water and is still black, and the black itself also expands the oppressive and heavy atmosphere inside and outside the Xianyang Palace infinitely, making Qin Wang and Wuming a little more profound and majestic. Everything in the lies woven by Wuming is red, cinnabar, mahogany, red ying, red flag, red face, scarlet letter, red blood, red is the symbol of the blood that Qin Bing and Wuming will bring, filling the environment, and also in the complex triangular relationship. A symbol of passion, desire and jealousy, it depicts the inner activities of the three people, and it is also the representative of Zhao Guo's strength and courage. Then the yellow leaves fell and the broken sword withered, but the two heroines couldn't let go of their feelings. When Feixue was stabbed in the sore spot by Ruyue, the picture "burned". In the blue world imagined by the King of Qin, there is calm, rationality, restraint and sadness about to sacrifice. With the loss, Baiyi and Baima appear. The battle between the water and the mountains and rivers is full of peaceful mourning for death, and along with martyrdom and death, gray spreads. In reality, the rendering of colors is lost, and everything except the protagonist wearing white clothes is restored to its original color, and the truth is revealed in pure and objective white. In the end, in the deepest memories, the two young people met, holding swords in their hearts and hands, but Broken Sword grew up in Qin Palace, because the green slash was endless and could not be broken, killing the leader of violent Qin The hatred in the world will not disappear, and finally, Broken Sword put down the green color that is the same as the horse that the death knight of Apocalypse rides, and in the nameless lie, Changkong, who is intent on stabbing Qin, wears green clothes. The use of color to express, on the one hand, enhances the expressiveness of the film and increases the artistry, but it also leads to visual fatigue and visual pollution to a certain extent.
This story tells an idealized and romantic story. The historical unity of Qin is of great significance to the historical development of the Chinese nation, but we cannot deny that Qin brought destruction and slaughter when unifying the six kingdoms, countless Zhao mothers Not to forget Qin's atrocities in Changping. Qin Shihuang was not as brutal in history as recorded by historians and society after the Han Dynasty , but he became increasingly arrogant in the emperor system he founded, falling into the abyss of arrogance, ignoring the suffering of the people is also true, and fundamentally Qin unified. After all, the wartime system of the Six Kingdoms period could not be used for unification, and it continued to strengthen and rigidify, resulting in the rapid disintegration of the Qin Empire. The big sound is like the sound, the elephant is invisible, and it is the dream of a great hero to break his sword, so he sacrifices himself, his family, and everyone. The pattern of transcending the times and his feelings as a human being is romantic. Advance in blood and tears but peace in the long run, and the grudge and hatred represented by the sword needs to be replaced by the courage to forge the sword into a plow. But this is the ideal that the director wants to express after all. People from the six Eastern countries in history will not be as rational as we modern people when they comment on history from a condescending height. In Broken Sword's ideal, it is necessary to implement strict rule of law and the ununderstood Ming Jun Yingzheng is also the basis for his "broken sword". Aside from the world view, hero view, and grand unification view that the director is eager to express in the soul of the Chinese nation, in pure history, the "nameless" who sacrificed because of the various "progresses" we are so grateful for now are the real ones. hero.
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