The mysterious woman in the film is said to be a resentful woman, but she is actually a very poor woman. She must have missed her very much before her death. The child, also resents the person who took the child (probably the child's father), a bit like the Chinese saying that if you resent someone too much before death, you will become a ghost after death (so don't do bad things too much, hehe ).
The front part of the film is really gloomy, depressing, and terrifying, and of course, the cold and humid climate in the UK, but after finding the child's body and placing it on the bed, and arranging the pictures that should have been sent to him, the picture softened ( Maybe it's the effect of background music), and then there is a picture of a woman in black rushing towards the male protagonist. This is actually the woman in black eager to see his child, but the male protagonist gets in the way. After that, the picture of the movie has become a little warmer than before, and the original silent horror has become a lot quieter and peaceful (especially when I found the staircase picture, which is a reflection of the photographer's level).
It is not difficult to find that the ending is that everyone is happy and goes home peacefully (because Chinese movies usually do this until the subtitles appear at the end of the play). But why hasn't it been reduced to a domestic film? because of the end. At the end, everyone's peace of mind was raised once again, and they couldn't let it go - some film critics said that the last picture of the woman in black said that "the next one is you (home)." In fact, as can be seen from my second point above, my conclusion is not so. Why does the movie explain that the hero misses her wife very much, this is to say that in the end, the woman in black found a child in order to thank her for helping her, and the woman in black also helped the hero to fulfill her wish, maybe the hero can recover from his long-term sadness walk out. Why has it been so long? Difficult to give birth, now the children are so big.
Did the master and the child die in the end? I don’t think so. The reason is that after the train has passed, the male owner cradled the child and appeared outside the track between the platform and the platform, not in the middle of the track (the picture clearly marked this point), in fact, there is a lot of space in that location. A large space can completely avoid the train; the second reason is that according to the Western ghost movie, ghosts do not breathe, which is clearly explained in the movie. In the picture, the dead mother of the child is also breathing, but she does not see the exhaled gas; the third reason is that the director gave a long shot of the woman in black at the end, which did not show her grinning horror, but a calm and even There's a sense of stalwartness that usually only comes when you've done something very meaningful (certainly not killing two people and letting three ghosts meet). At the end of the movie, there is a very brief movement of the woman in black turning back. The director may want to express that the female ghost (the woman in black) knows that it is over, and it is time to go back to their own homes to find their own mothers. According to the Chinese saying, Yin and Yang will be separated from each other in the future, so don't entangle each other, the wish has been fulfilled.
Although it is a horror film, it also has a strong British style in the film - people's clothes are neatly dressed, and their household items are very delicate. Especially the Rolls-Royce, although it shows the front left windshield of the car, the fine workmanship and excellent performance of this car can be seen through some details.
I also want to talk about the owner of the Rolls-Royce who is very enthusiastic and courageous. Although the front has always been an atheist, when the train passes by at the end of the film, he also sees a woman in black and a group of children, and seems to be thinking.
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