1 Characterization: Although Russell Crowe laid the groundwork at the beginning of the domineering, however, half of the film has broken the stem. The two lines of Doctor Tomb Exploration Line and Tom Tomb Exploration Line are arranged in a disorderly manner, which reduces the tension of watching the movie. In the second half, the transformation of the doctor gives the illusion that he has been invaded by some kind of mutant virus (although it is actually to distinguish different personalities), the purpose of the action is very vague, so it is confusing, and the film is finally described by the doctor. The whereabouts of Brother Atang seems to be deliberately whitewashing. Tommy has been active in action films recently. At the beginning, he seemed to vaguely show his consistent and easy-to-follow character design. However, with the sudden trend of the emotional line with the heroine, the character design failed, and the character and behavior were ambiguous. In addition, the action scenes are always at a disadvantage according to the script setting, so there are no highlights in the emotional scenes and action scenes. The stalk about the parachute is meant to be funny, but it is too far-fetched. This is not the actor's problem. Regarding the previous life of the mummy, the sealed plot is more sloppy, reducing the effect of setting off the atmosphere, and the development effect of the subsequent plot is also weakened. The plot of the tomb exploration is very weak, but the war scene before entering the tomb is procrastinated. The special effects of the tomb explorer are not surprising. The makeup of the mummy queen tries to increase the sense of horror, and the process of gradually changing from a mummy to a human form is one of the few places where the special effects of this film are justified. The character of the mummy is not full enough, and it has the stunts of calling for wind and rain, controlling creatures, and covering the city with desert, but these stunts are only used to show off their skills and do not seem to have actual combat effects. The female second has a very weak sense of existence and a slightly stiff expression. The new mummy does not seem to have played the main role before, and the motive for cooperating with the doctor is "common interests". Show the appearance and personality characteristics that are enough for the male protagonist to sacrifice for him. Tom's friend, the screenwriter seems to have intentionally portrayed him as Peggy who accompanies the male protagonist in Mission Impossible. He is mainly responsible for funny, and the effect is average. The tacit understanding with Tom is low, and the plot from zombies to ghosts is speechless. Other tasks are purely low IQ soy sauce. 2 Props and costumes: As experienced tomb robbers, the three of them casually wear a shirt and the heroine even wears a decorative scarf and so on, which is extremely unprofessional. The key props and two important tomb scenes were unclear, and the camera flashed by. 3 Lines and plot: The plot combines tomb robbery, zombies, ghosts, war, action, psychological splitting, etc. Perhaps because the director and screenwriter are too ambitious, no aspect is highlighted, and the final result is that each is slightly different. The design, however, is not heavily painted, and looks very scribbled and pale. Although the demand for action scenes in the current film market is increasingly prominent, tomb exploration films should show their own characteristics and should not play for the sake of playing. Some of the lines are a little blunt, and the lines should be funny, but they can't keep up with the expressions; the lines should express the heart, but they are very embarrassing. 4 Although the author is not a successful screenwriter and director, as an audience, the overall feeling is as follows. It is a bit of a waste of Uncle Claw and Tom and Blade Girl. The screenwriter and director should carefully arrange the plot and set the character and behavior direction in the sequel. , and reasonably distribute the action scenes.
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