war, it will not work, 'peace' and human life. Trying to resonate with these topics today, when most people do not have to worry about food and clothing, is a ''beautiful difference'' that will be successful on the surface, but in fact will not achieve much effect. Those vivid and frightened faces in the picture produce a low-time-sentence compassionate heart, which is a conditioned reflex of human sensibility, but does not represent an objective natural law. Both the narration and the narration of the film have a strong personal tendency of the director. We all have almost the same position on this topic, so it is a little bit of a feeling of "you are right, as if I don't know", so let's not discuss the inevitability and goodness of war here, personal shallowness I think that the director's entry point is too big. If it weren't for this God's perspective and strong emotional guidance, it might be more convincing.
But I have to admit that red line is like chicken soup and beautiful text in war films. Terrence Malick did not say anything about the control of the picture, except that beauty is beauty, and the part of the raiding hill is meticulously packaged by dreamy colors. Pink-orange skin with a layer of gray-blue dirt in the middle of the green to bluish grass and the blue to dripping sky is a high-purity red wrapped in black, so you have to say that this is the director's war album, I give it ten, such a texture The pictures and the suffocating island ecology are indeed poetic perspectives used to describe the war.
At present, it
is difficult to explain how human problems affect the audience's emotions.
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