The 7th screening day of the 13th #Faro IslandFilmFest#unknown unit will bring you "This man is from the earth", and the following will bring you the blurred and illusory evaluation of the mysterious men on the front line!
Ou Yin:
The movie is good, but it doesn't deserve such a high rating.
Pours full of Zhao +:
It's wonderful, small room, deep dialogue, interesting!
Matsuno Somatsu:
I'm glad I haven't seen it before, this one is more interesting to look at with more knowledge!
Polaris.J:
Boring and overrated. Not persuaded at all and very dancing. Can't be called a movie at all.
Mo Yexuan:
Ten years are short but long, Please be brave to live in the moment.
Sparrow:
Philosophical science fiction, a plot guided by dialogue and emotion, is a learning model for psychology and humanities.
Northwest vanishes into nothing:
Just relying on a superficial and scribbled concept, the plot is only self-justifying within the preset range. The director hardly does anything other than to slap the audience in the laziest way possible for those seemingly profound discussions.
Supremacyacron:
The idea of immortality is endless in China, and the immortality idea of this film is more like an encyclopedia-style opening method. The angle is novel and logical. The narrow layout and down-to-earth form of night talk around the fireplace bring science fiction closer. A sense of distance from reality.
Snow-Nashville:
Most of the scenes in the movie are shot in a small room, and it's all about dialogue, but any boring dialogue can make me fall asleep. Thankfully, the movie doesn't. Dialogue is what makes or breaks a movie, and I must say the actors did a fantastic job that makes me want to keep sitting at my seat and look forward to hearing more. All of this plus the excellent acting makes this movie worth watching.
Pincent:
Like a conceptual story told in an episode of "Yin and Yang Demon Realm", an episode in an American drama is centered on the screenwriter. It seems to bring superhero movies with time superpowers to those 21st century intellectuals who are spiritually desolate and in crisis of belief. It's still a little smaller. If the author reflects the fate of the whole human being and still believes in human emotions, he may be more impressed. The science and engineering literature is a little less warm, and it should not be just a beautiful female student with an admiring face. . In short, the pseudo-revelation that you need to become more knowledgeable in order to feel the movie or gain a vision to broaden your horizons because of the feeling of the movie doesn't feel like a good movie.
Midnight no one:
Those who watch it will be fascinated and praised that it is superb, and those who can't watch it will find it boring and stupid. This kind of aesthetic difference is like the attitude of people in a movie who choose to believe or not. In order to justify this kind of line output type movie, in addition to the rich knowledge reserve itself, the most important thing is the attitude, whether your citations exude charm, and whether you are confident enough to follow your heart. You can be a miracle among the cavemen, you can be Van Gogh's soulmate, you can be the son of Jesus, you can be a living flint that accompanies the aging of the universe, you can be unable to be with any family, love, or friends The metaphor of sadness. There is no spectacle until the end of the movie, because when you choose to believe, you have all the spectacle.
#FIFF13#DAY7's no-know field score will be released later, please wait and see.
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