Aesthetic fatigue in Hollywood

Mckenna 2022-04-19 09:01:32

"The Golden Compass", which is about to be "serialized", makes people feel a little tired!

When I saw that Ang Lee's Mandarin blockbuster won numerous awards at major awards ceremonies, it reminded me of Peter Jackson's "The Lord of the Rings" and "King Kong" a few years ago. . Whether it's special effects or plot, all the big scenes in the movie amaze me. But then Hollywood blockbuster every year, unintentionally repeated impact on my visual nerves. Suddenly I remembered the aesthetic fatigue that Fei Lao said, and I was really tired of watching movies for so many years.

From "The Lord of the Rings: The Lord of the Rings: The Lord of the Rings" in 2001, we first experienced this magical world built by a New Zealand team. Whether it is from the presentation of every big scene to the outline of the details of each character, the gorgeous pictures are absolutely breathtaking. It turns out that the oldest small model with the most advanced technology computer synthesis can actually make such fine and perfect. Slowly advancing to 2004, the "Lord of the Rings Trilogy: The Return of the King", which dominated the Oscars, made us fully recognize the Weta studio in New Zealand.

It can be said that this is a victory for their own team, and certainly a milestone in the film industry. So I slowly learned about "Van Helsing", "The Legend of Zorro", and even "I Am Legend" + "Beowulf" + "The Bourne Ultimatum" + "Spider Man 3" in 2007. from their hands.

Of course, it is worth mentioning that the remake version of "King Kong" that swept the box office at the end of 2005, the team used the AVID media production system. It is very powerful, so powerful that you can see and like to watch Hollywood blockbusters, which are basically produced by this system... There are many more films, even the latest "The Golden Compass" to be "serialized" is also used this technology.


Personally, I admire and like these things very much, but I just watched them. No matter how you look at it, it feels the same, and no matter how you look at it, it feels like deja vu. It's just that the method of changing the soup but not the medicine every time makes me feel a little tired and even a little bit evil, which is not an exaggeration at all. A shot has to be turned into a lot of small dots, then flicker, and then blur a few times in the air, then zoom in from a distance, then switch from multiple perspectives, and then speed up or slow down N times, and all this is just A special effect...

Repeating, repeating, repeating, really repeating... Maybe this is the secret of the business. If a film can be popular, it must continue to be filmed. No matter what the plot is, whether the characters are dead or not. Anyway, there is no sequel, so I started making a prequel. After all, there is a reason, and this AVID technology is estimated to continue to be used until all people are no longer cold about it.

And all this reminds me of another sentence: people are shameless, and the world is invincible... Merchants are also people, so they are invincible, so I continue to buy movie tickets to watch. For example, I watched "The Golden Compass" today, and I can only shake my head helplessly after watching it, it's too similar.

You can find so many stories like this. A child or a small person, through some means, whether it is given by a person, picked up, or... whatever. Got a peerless good thing, which can be a ring, a compass, and of course a deformable bumblebee or something. But the process must be that he/she used this good thing to save others and prove himself.

Although the plot is very simple, the process is not complicated, and the ending is not unexpected, all this will be filled with the stunt pictures mentioned before. It's more natural than "Promise", and the story from "Hero" is coherent and compact. Chinese filmmakers really need to learn from it... If you want to make this type of blockbuster, you must do some basic points. (Of course, small films such as "My Name is Liu Yuejin" and "Fate Call Transfer" are not discussed here at all.) A typical reference to a successful case is Stephen Chow's "Kung Fu": the little man learned "The Palm of the Tathagata", for love and love, The final awakening proves itself and maintains the peace.

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Extended Reading

The Golden Compass quotes

  • Lyra Belacqua: If you value your lives, come no further.

    Billy Costa: Why? We gobbled him fair and square.

    Lyra Belacqua: This ain't no game, Billy Costa. Don't you know what this gate is?

    Billy Costa: It's just the back door to your stupid college. So?

    Lyra Belacqua: There's a curse on this gate. You gyptians ought to know that. Crossing this gate is worse than touching someone's demon with your bare hands.

    Billy Costa: Why ain't nothing happen to you, then?

    Lyra Belacqua: Because we live here. We got safe passage, see? And anyway, my mother's the one who put the curse on this gate in the first place.

    Billy Costa: What mother? I heard you was an orphink and your uncle only left you here cause' nobody wanted you.

    Lyra Belacqua: Come here and say that.

  • Lyra Belacqua: [as Mrs. Coulter tries to comfort her] No! Don't you touch!

    Marisa Coulter: No one is going to hurt you. No one is ever, ever going to hurt you.

    Lyra Belacqua: They did it to Billy and those other kids. They cut their demons away. Why? Why are they doing that?

    Marisa Coulter: I know it's difficult to understand, but it's for their own good. It's just a little cut. Now, you listen. A long long time ago,some of our ancestors made a terrible mistake. They disobeyed the authority and that is what made dust came into the world. And ever since then, we've been sick with it. Been sick with dust. But there is a way out. You see, Dust doesn't settle on little children. It's later when your demon begins to settle. The Dust begins to swarm all around us,working its mixture and that is how children begin to have all sorts of nasty thoughts and unhappy feelings, but there is a way to stop it.

    Lyra Belacqua: Well, if it's so good, then why didn't you do it yourself? Why didn't you let them do it to me?

    Marisa Coulter: I'm going to tell you something. Something very important, something you don't know. Intercision isn't perfect yet, and you're not just anyone, Lyra. Your mother didn't die in an airship accident as you were told. She wasn't married to your father and even though and even though she loved you very much and she wanted to keep you. It wasn't allowed. So you were taken from her, and it wasn't until things changed... and she was free to do as she wanted... That she went to Jordan College and spoke to the Master.

    Lyra Belacqua: No! You can't be!

    [gets out of the bed and walks a few meters away from Mrs. Coulter]

    Marisa Coulter: Yes, Lyra. You're mine. And you're safe with me. You'll always be safe with me.

    Lyra Belacqua: Who's my father?

    [She took a minute to figure out, then she finally guesses who her father is]

    Lyra Belacqua: Lord Asriel? He's my father, isn't he?

    Marisa Coulter: Yes. Yes.